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Doubles dans la littérature --- Doubles in literature --- Dubbelgangers in de literatuur --- Identiteit (Psychologie) in de literatuur --- Identiteit in de literatuur --- Identity (Psychology) in literature --- Identity in literature --- Identité (Psychologie) dans la littérature --- Identité dans la littérature --- Impostors and imposture in literature --- Psychanalyse dans la littérature --- Psychoanalyse in de literatuur --- Psychoanalysis in literature --- Split self in literature --- Twain, Mark --- Criticism and interpretation --- United States --- In literature
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The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre--the race melodrama--and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena. 'Blood Talk' shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.
African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Occultism in literature --- Occultisme dans la littérature --- Occultisme in de literatuur --- Race dans la littérature --- Race in literature --- Ras in de literatuur --- Zwarte Amerikanen in de literatuur --- African Americans in literature. --- American literature --- Occultism in literature. --- Race in literature. --- History and criticism. --- Du Bois, W. E. B. --- Hopkins, Pauline E. --- Griggs, Sutton Elbert, --- Dixon, Thomas, --- Twain, Mark, --- Political and social views. --- Du Bois, W. E. B., --- History and criticism --- Tvėn, Mark, --- Tuėĭn, Mark, --- Tuwayn, Mārk, --- Twayn, Mārk, --- Tʻu-wen, Ma-kʻo, --- Tven, M. --- Touen, Makū, --- Twain, Marek, --- Make Tuwen, --- Tuwen, Make, --- Make Teviin, --- Твен, Марк, --- Touain, Mark, --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Clemens, Samuel Langhorne, --- Snodgrass, Quintus Curtius, --- Conte, Louis de, --- Hopkins, Pauline Elizabeth --- Hopkins, Pauline --- Du Bois, W. E. Burghardt --- Du Bois, W. E. --- Di︠u︡bua, Uilʹi︠a︡m Ėdvard Burgkhardt, --- Di︠u︡bua, Vilʹi︠a︡m, --- Du Bois, William Edward Burghardt, --- DuBois, W. E. B. --- Du Bois, William, --- Du Bois, W. B. --- Dixon, Thomas F., --- 20th century --- Du Bois, William Edward Burghardt --- Political and social views --- Griggs, Sutton Elbert --- 19th century --- Dixon, Thomas --- Twain, Mark --- Tuvāyn, Mārk, --- تواين، مارک --- Tvāyn, Mārk, --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- Tuvāyn, Mārk --- Tvāyn, Mārk --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de
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