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"Through a broad range of case studies, the contributors to this volume highlight the historical conditions under which photographs have been made available to the public: in books, magazines, photographic studios, courtrooms, libraries, touring exhibitions, and art galleries. The collected essays focus on those responsible for the dissemination of images, their belief in the power of the photographic medium, the goals they pursued, and the constraints they faced. Addressing the multiple rather than the unique photograph, stressing collective practices of image sharing, and examining the mobility of photographs from one context to another, this book pursues avenues of research in the history of photography that remain surprisingly underexplored"-- "The "Public" Life of Photographs features nine essays by Geoffrey Batchen, Nathalie Boulouch, Heather Diack, André Gunthert, Sophie Hackett, Vincent Lavoie, Olivier Lugon, Mary Panzer and Joel Snyder. These contributorsinternational curators and scholars from a range of disciplinesexamine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world.The book is edited by Thierry Gervais, Head of Research at the Ryerson Image Centre, and an Assistant Professor at Ryerson University"--Publisher's website, viewed November 9, 2016.

massacultuur --- journalism --- popular culture --- kunst --- art [fine art] --- photography [process] --- fotografie --- Photography --- Images, Photographic --- Vernacular photography --- Photojournalism. --- Art and photography. --- Photographie --- Photographie de presse. --- Art et photographie. --- Photographe légale. --- Social aspects. --- History. --- Philosophy. --- Aspect social. --- Photographie de presse --- Art et photographie --- Aspect social --- Photojournalism --- Art and photography --- Photography and art --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Photographic images --- Image processing --- Imaging systems --- Optical images --- Social aspects --- History --- Philosophy --- art [discipline]

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Voici une contribution essentielle à l'histoire de la photographie de presse, qui interroge les conditions de son apparition à la fin du XIXe siècle ainsi que ses usages. S'appuyant sur une iconographie passionnante, Thierry Gervais (avec la collaboration de Gaëlle Morel) a analysé des milliers de magazines dans leur forme originale. Il décode ici les stratégies de séduction, les discours de légitimation développés par la profession et met en lumière la diversité des lignes éditoriales selon les différents supports. Car la publication de photographies dans la presse relève de deux ambitions indissociables : diffuser de l'information et séduire le lectorat par l'image. Les photographies et leurs mises en page répondent à cette double exigence qui structure les magazines illustrés. Au-delà des figures du journaliste et du photographe, le directeur artistique et le picture editor sollicitent les photographes, sélectionnent les clichés, produisant des séquences visuelles et développant une ligne éditoriale. Ces acteurs de l'ombre interviennent sur l'ensemble des paramètres et organisent la fabrique de l'information visuelle. L'analyse brillante de Thierry Gervais permet de mieux comprendre comment les images d'actualité ont contribué à la construction de notre mémoire visuelle collective.

Photojournalism --- Illustrated periodicals --- Photographie de presse --- Magazines (Publications) --- History --- Histoire --- Périodiques illustrés --- Sémiotique et photographie

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The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture.

Illustrated periodicals --- Périodiques illustrés --- Photojournalism --- Photographie de presse --- Photography --- Photographies --- History --- Histoire. --- Social aspects --- Aspect social --- History. --- Press and propaganda --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Periodicals --- Journalism, Pictorial --- Propaganda and press --- Propaganda --- Objectivity --- Périodiques illustrés

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Guide pour les personnes chargées de l'accompagnement des nouveaux enseignants des premier et second degrés. Propose des cadres de réflexion, des outils et des supports de formation.

First year teachers --- Enseignants débutants --- Handbooks, manuals, etc. --- Guides, manuels, etc