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Literary semiotics --- Film --- Film adaptations --- Adaptations cinématographiques --- History and criticism. --- Histoire et critique --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Adaptations cinématographiques --- History and criticism
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Television play --- Television soap operas --- Television and women --- Women on television --- Téléromans --- Télévision et femmes --- Femmes à la télévision --- History and criticism --- Histoire et critique --- Etats-Unis --- #SBIB:309H521 --- #SBIB:309H523 --- #SBIB:309H1522 --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Audiovisuele communicatie: verhaalanalyse --- Radio- en/of televisieprogramma’s met een ideologische en spiegelfunctie --- Sex role on television --- Women in television --- Women in television plays --- Soap operas --- Soap operas, Television --- Telenovelas --- Women and television --- Sex role in television --- Television --- Television series --- Women
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In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children.Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.
Motion pictures --- History. --- Social aspects --- 798.43 --- 798.79 --- 308.1 --- fifties --- filmgeschiedenis --- Groot-Brittannië --- wereldoorlog II --- gender --- seksuele moraal --- seksualiteit --- History --- film, geschiedenis der filmkunst, overige landen --- film, overige onderwerpen --- sociologie der seksen --- Film --- anno 1950-1959 --- United Kingdom
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Television soap operas --- Television serials --- Women in television
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#SBIB:309H1500 --- #SBIB:AANKOOP --- Television broadcasting --- -Television broadcasting --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Radio- en/of televisie: algemene werken --- Social aspects
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Mass media and culture. --- Intercultural communication. --- Médias et culture --- Communication interculturelle --- mediatheorie --- postfeminisme --- Bridget Jones's diary --- Fielding Helen --- McGuire Sharon --- 9/11 --- cultuurfilosofie --- globalisering --- gender studies --- feminisme --- migratie --- neoliberalisme --- nieuwe media --- 130.2 --- Intercultural communication --- Mass media and culture --- Culture and mass media --- Culture --- Cross-cultural communication --- Communication --- Cross-cultural orientation --- Cultural competence --- Multilingual communication --- Technical assistance --- Anthropological aspects --- 090 --- cultuur --- interculturele communicatie --- media --- massamedia, publiciteitswezen en audiovisuele media --- Mass communications --- Sociology of culture
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