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The youngest member of the Blauer Reiter group was overshadowed for a long time by fellow painters such as Wassily Kandinsky, Franz Marc, August Macke, and Paul Klee. But in recent years, Heinrich Campendonk has enjoyed an unparalleled rediscovery and a new critical assessment of his extensive oeuvre. In the 1921 edition of the Jahrbuch der jungen Kunst, the art historian and publisher Georg Biermann described Campendonk’s early work as a unique symphony of color and rhythm. Just a few years later, his pictures would be defamed as “degenerate,” driving him into exile in the Netherlands, where he remained until his death in 1957. In this beautiful volume, the author reveals Campendonk to be one the most fascinating artists of the last century, bringing to life the extraordinary overlap of his artist development with his life and times.

Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Macke, August --- Marc, Franz --- Kandinsky, Wassily (Vassily) 1866-1944 (°Moskou, Rusland) --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Duits Expressionisme ; Der Blaue Reiter --- Campendonk, Heinrich --- 75.07 --- Schilderkunst ; schilders A-Z --- Aesthetics of art --- Painting --- paintings [visual works] --- art criticism --- Campendonck, Heinrich --- Der Blaue Reiter [München]

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The catalogue of works, also known as the oeuvre catalogue or catalogue raisonné, is considered a fundamental reference work for museums, collectors and art historical research. It is also indispensable for the art market as an instrument used to authenticate and distinguish works. But what requirements should catalogues raisonnés fulfill nowadays? To what extent can digital applications and multidisciplinary approaches provide added value? What part do catalogues raisonnés play in determining authenticity or in the field of provenance research? And what responsibility do authors actually bear for the accuracy of their statements? Around 30 contributions shed light on the genre with numerous case studies, looking at its past and future, theory and practice. First handbook for theory and practice of the catalogue raisonné Werkverzeichnis, auch Œuvrekata­log oder Catalogue raisonné genannt, gilt als grundlegendes Nachschlage­werk für Museen, Sammlerinnen und Sammler und die kunsthistorische Forschung. Auch für den Kunstmarkt ist es als Instrument der Authentifizie­rung und Nobilitierung unverzichtbar. Doch welche Anforderungen sollten Werkverzeichnisse heutzutage erfüllen? Inwiefern können digitale Anwendun­gen und multidisziplinäre Ansätze einen Mehrwert bieten? Welche Rolle kommt Werkverzeichnissen bei der Echtheitsbestimmung oder im Bereich der Provenienzforschung zu? Und welche Verantwortung tragen Auto­rinnen und Autoren eigentlich für die Richtigkeit ihrer Angaben? Rund 30 Beiträge beleuchten das Genre anhand zahlreicher Fallbeispiele mit Blick auf seine Vergangenheit und Zukunft, auf Theorie und Praxis. Erstes Handbuch zu Theorie und Praxis des Werkverzeichnisses

Corpus Rubenianum Ludwig Burchard. --- Cranach Digital Archive. --- Gerhard Richter. --- Johannes Itten. --- Lotte Laserstein. --- Max Beckmann. --- authentification. --- catalogue raisonné. --- collection. --- history of art. --- instruction. --- manual. --- methods. --- museum. --- provenance research. --- Art --- catalogues raisonnés