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The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.
Book history --- Bible --- anno 1600-1699 --- United Kingdom --- 094:22 --- 094 "16" --- 094 "16" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--17e eeuw. Periode 1600-1699 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--17e eeuw. Periode 1600-1699 --- 094:22 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Bijbel --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Bijbel
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"Sound, Image, Silence explores how, over the course of three centuries, paintings, photographs and early silent films communicated the sounds and silences found in the New World to white audiences on the European continent. Through the representation of both landscapes and indigenous people, book explores the role of aural imagination as it pertains to the visualization of particular episodes of colonialism and oppression, but also tries to think seriously about how art historians should engage with sound in what is inherently a "mute" medium"--
Arts, American. --- American arts --- Visual perception in art. --- Communication in art. --- Communication in art --- America. --- Artistic communication --- Art --- Americas --- New World --- Western Hemisphere --- History of art
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Ethnology. Cultural anthropology --- Graphic arts --- Iconography --- History as a science --- Bry, de, Theodor --- anno 1500-1799 --- anno 1800-1899 --- North America --- Indians in art --- Difference (Philosophy) in art --- Art --- Prints --- Conquerors --- Indiens d'Amérique dans l'art --- Différence (Philosophie) dans l'art --- Estampe --- Conquérants --- Reproduction. --- Technique. --- Attitudes --- Reproduction --- Technique --- America --- Amérique --- Discovery and exploration --- European --- Découverte et exploration européennes --- Indiens d'Amérique dans l'art --- Différence (Philosophie) dans l'art --- Conquérants --- Amérique --- Découverte et exploration européennes --- Art - Reproduction --- Prints - Technique
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Art [American ] --- Art américain --- Beeld (Filosofie) --- Image (Philosophie) --- Image (Philosophy) --- Kunst [Amerikaanse ] --- Art, American. --- Art and society --- ART / History / General. --- Image (Philosophy). --- Art, american. --- Image (philosophy). --- Art / history / general. --- United States
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