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Science [Renaissance ] --- Science de la Renaissance --- Wetenschap [Renaissance-] --- Science, Renaissance --- Renaissance science --- Science --- Bruno, Giordano, --- Bruno, Giordano --- Science, Renaissance. --- Bruno, Giordano, - 1548-1600. --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו
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This book gathers wide-ranging essays on the Italian Renaissance philosopher and cosmologist Giordano Bruno by one of the world's leading authorities on his work and life. Many of these essays were originally written in Italian and appear here in English for the first time. Bruno (1548-1600) is principally famous as a proponent of heliocentrism, the infinity of the universe, and the plurality of worlds. But his work spanned the sciences and humanities, sometimes touching the borders of the occult, and Hilary Gatti's essays richly reflect this diversity. The book is divided into sections that address three broad subjects: the relationship between Bruno and the new science, the history of his reception in English culture, and the principal characteristics of his natural philosophy. A final essay examines why this advocate of a "tranquil universal philosophy" ended up being burned at the stake as a heretic by the Roman Inquisition. While the essays take many different approaches, they are united by a number of assumptions: that, although well versed in magic, Bruno cannot be defined primarily as a Renaissance Magus; that his aim was to articulate a new philosophy of nature; and that his thought, while based on ancient and medieval sources, represented a radical rupture with the philosophical schools of the past, helping forge a path toward a new modernity.
Philosophy --- PHILOSOPHY / History & Surveys / Medieval. --- Mental philosophy --- Humanities --- History and amp --- Surveys --- Bruno, Giordano, --- Philosophy of nature. --- Nature --- Nature, Philosophy of --- Natural theology --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו --- Bruno, Giordano --- Bruno, Giordano, - 1548-1600
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Bruno, Giordano, --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו --- Philosophy, Renaissance. --- Philosophy, Modern --- Renaissance philosophy
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Theory of knowledge --- Drama --- Comparative literature --- English literature --- Bruno, Giordano --- Great Britain
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Bruno, Giordano, --- Bruno, Giordano --- Philosophy, Renaissance --- Philosophie de la Renaissance --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו --- Bruno, Giordano, - 1548-1600
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"Giordano Bruno wrote this dialogue in 1583. The Ash Wednesday Supper is concerned with two major themes: a cosmological theme concerning the new post Copernican astronomy and Bruno's infinitist reading of it; and the other a social/historical theme concerning the english society, both high and low, of which Bruno was a guest and with which he developed a complex and often conflictual relationship."--
Astronomy --- Occultism --- Copernicus, Nicolaus
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"Giordano Bruno wrote this dialogue in 1583. The Ash Wednesday Supper is concerned with two major themes: a cosmological theme concerning the new post Copernican astronomy and Bruno's infinitist reading of it; and the other a social/historical theme concerning the english society, both high and low, of which Bruno was a guest and with which he developed a complex and often conflictual relationship."--
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