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Sculpture --- sculpture [visual works] --- busts [general, figures] --- Baroque --- Quellinus, Artus I --- anno 1600-1699
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art market --- easel paintings [paintings by form] --- studios [work spaces] --- Napels, school of --- book review --- Baroque
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Neapel und die Konvergenzen von Natur und Kultur The literary, artistic, and scientific culture of early modern Naples is closely linked to the natural topography of the city, stretching from Iacopo Sannazaro’s poetic evocation of the Campania landscape to Giambattista Vico’s approach in which he anchors human civilization to the existential confrontation with natural forces. With the open sea, the rocky coastline, and the menacing presence of Vesuvius, the image of Naples, more than any other city in early modern times, is associated in the collective imagination with the forces of nature. Even the populace was interpreted as a force of nature. In this volume, art, literature, and science historians investigate the convergence of culture and nature in a unique geographic context.
Art, Modern --- History. --- Naples (Italy) --- Civilization. --- Nature. --- Neapel. --- architecture. --- arts.
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The present volume explores for the first time the concept of synagonism (from “σύν”, “together” and “ἀγών”, "struggle”) for an analysis of the productive exchanges between early modern painting, sculpture, architecture, and other art forms in theory and practice. In doing so, it builds on current insights regarding the so-called paragone debate, seeing this, however, as only one, too narrow perspective on early modern artistic production. Synagonism, rather, implies a breaking up of the schematic connections between art forms and individual senses, drawing attention to the multimediality and intersensoriality of art, as well as the relationship between image and body.
Aesthetics & Cultural Theory. --- Art History. --- Early Modern History. --- History. --- Philosophy.
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Art --- Nature --- anno 1500-1799 --- Naples
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