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Art styles --- Art --- Sculpture --- collages [visual works] --- assemblages [sculpture] --- mixed media --- sculpting --- post-surrealisme --- Surrealist --- Jones, Allen --- Spoerri, Daniel --- Arp, Hans --- Magritte, René --- Horn, Rebecca --- César --- Tinguely, Jean --- Blake, Peter Thomas --- Krebber, Gereon --- Turk, Gavin --- Ernst, Max --- Bellmer, Hans --- Berke, Hubert --- Brodwolf, Jürgen --- Grünfeld, Thomas --- Plensa, Jaume --- Duchamp, Marcel --- Vlad --- Picasso, Pablo --- Ballester, José Manuel --- Bremer, Uwe --- Brinkmann, Thorsten --- Fontana, Lucio --- Deutsch, Mathias --- Einhoff, Friedrich --- Bourgeois, Louise --- Hagen, Ole Henrik --- Heidhus, Stef --- Hellinger, Horst --- Hildebrandt, Volker --- Kiessling, Felix --- Kirschner, Wulf --- Kraijer, Juul --- Mohr, Sabine --- Beuys, Joseph --- Mosler, Mariella --- Paeffgen, C.O. --- Räderscheidt, Barbara --- Rose, Rolf --- Sander, Susanne --- Brauner, Victor --- Streyl, Annette --- Van Lebusa, Corinne --- Roth, Dieter --- Bergen, Von, John --- Miró, Joan --- Masson, André --- Tanguy, Yves --- Domínguez, Oscar --- Fabre, Jan --- Picabia, Francis --- Dalí, Salvador --- Buthe, Michael --- Dion, Mark --- Hirst, Damien --- Kounellis, Jannis --- Oppenheim, Meret --- Smith, Kiki --- Antes, Horst --- Brown, James --- Hüppi, Johannes --- Kriester, Rainer --- Smit, Carolein --- Tatafiore, Ernesto --- Bluhm, Ursula --- Meckseper, Friedrich --- Kolář, Jiří --- Man Ray --- Wunderlich, Paul --- Szekessy, Karin --- Arman --- Guimarães, de, José --- Cornell, Joseph --- Giacometti, Alberto --- Aeppli, Eva --- anno 1900-1999
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Als essenzielle Dynamik unseres Menschseins und unserer fundamental flüchtigen Zeit schlägt sich das TRANSITORISCHE in der Kunst der Gegenwart nieder. Die Untersuchung versammelt 14 internationale Künstlerinnen und Künstler, die dem Ephemeren eine Form und ein Stück weit Dauer geben. Zentrale Themen sind die Beschäftigung mit der Conditio humana und eine existenziell unterfütterte Verbildlichung des Flüchtigen und TRANSITORISCHEN, in denen Kreisläufe des Werdens und Vergehens ebenso produktiv gemacht werden wie die transzendenten Energien der Empathie, der Liebe und der kollektiven Teilhabe. Das TRANSITORISCHE nimmt Gestalt an in: Meret Oppenheims Wolkenformationen, den Zeitfallen von Daniel Spoerri, Maria Fisahns Vitalisierungen des Verfalls, Marilyn Minters Störbildern des Glamours, Catherine Bolducs Luftschlössern der Wahrnehmung, Naho Kawabes existenziellen Licht- und Schattenspielen, Ena Swanseas Malerei einer ungreifbaren Wirklichkeit, Lorenz Estermanns nomadisierenden Bauten zwischen Aufbruch und Verfall, Mirko Reissers Selbstportraits im Wandel, Volker Langs Erinnerungsräumen, Luis Camnitzers mehrfach gebrochenen Spiegelungen, Teresa Margolles' Elegien vergangenen Daseins, Felix Gonzalez-Torres' Memento mori der Liebe und in der Lebensspurensicherung von Christian Boltanski. Besprochen in: Informationsdienst Kunst, 623 (2017)
Kunst; Bild; Gegenwartskunst; Flüchtigkeit; Vergänglichkeit; Vanitas; Erinnerung; Geschwindigkeit; Das Ephemere; Wirklichkeit; Meret Oppenheim; Daniel Spoerri; Luis Camnitzer; Teresa Margolles; Felix Gonzalez-Torres; Christian Boltanski; Kunstgeschichte des 20. Jahrhunderts; Kunstgeschichte des 21. Jahrhunderts; Bildwissenschaft; Kunstgeschichte; Kunstwissenschaft; Art; Image; Contemporary Art; Volatility; Transience; Memory; Speed; Reality; Art History of the 20th Century; Art History of the 21st Century; Visual Studies; Art History; Fine Arts; --- Art History of the 20th Century. --- Art History of the 21st Century. --- Art History. --- Christian Boltanski. --- Contemporary Art. --- Daniel Spoerri. --- Felix Gonzalez-Torres. --- Fine Arts. --- Image. --- Luis Camnitzer. --- Memory. --- Meret Oppenheim. --- Reality. --- Speed. --- Teresa Margolles. --- Transience. --- Vanitas. --- Visual Studies. --- Volatility.
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Peyton, Elizabeth --- Elizabeth Peyton (° 1965, Danbury, Connecticut, VS) --- Schilderkunst ; 1990-2001 ; Elisabeth Peyton --- Schilderkunst ; portretten --- Kunst ; van vrouwen ; 20ste eeuw --- 75.07 --- 75.038 --- (069) --- Schilderkunst ; schilders --- Schilderkunst ; 1950 - 2000 --- (Musea. Collecties) --- Peyton, Elizabeth,
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Philosophy and psychology of culture --- Art --- Artists --- Design --- Book --- Cultural movements --- Oppenheim, Meret --- anno 1900-1999 --- Germany
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iconography --- thema's in de kunst --- Iconography --- Liefde --- Petrarca, Francesco --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- love --- allegory [artistic device] --- love [emotion] --- liefde --- liefde. --- Petrarca, Francesco. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- cultuurgeschiedenis
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Collages, drawings and more from the legendary illustrator and author of The Three Robbers. From early childhood drawings of the 1930s to collages and objects from the last decade of the artist’s life, Tomi Ungerer: It’s All about Freedom presents a comprehensive cross section of Ungerer’s vast oeuvre for the first time, revealing the political and stylistic lines and breaks in his career as a “freewheeling artist.” With an abundance of illustrations, the book includes many unpublished and unseen works from the Ungerer estate, and celebrates his unceasing passion for experimentation across genres and the interplay between drawing, collage and assemblage. Accompanying essays―by the artist’s daughter Aria Unger, Thérèse Willer, Belinda Grace Gardner and Thomas David―examine the continuities and motifs across the many genres Ungerer traversed. Tomi Ungerer (1931–2019) published his first drawings in the legendary Simplicissimus magazine, and began his extensive career as an illustrator, children’s book author and artist in New York. In 2003 Ungerer was appointed the first Ambassador for Childhood and Education by the Council of Europe, and in 2007 the Tomi Ungerer Museum opened in Strasbourg, making him the first living artist with a museum dedicated to his life and work in France. Ungerer lived on a farm in southern Ireland from 1976 until his death in 2019.
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video art --- Film --- Painting --- mixed media --- toys [recreational artifacts] --- Iconography --- Art --- installations [visual works] --- light art --- economics --- painting [image-making] --- digital prints --- terrorism --- Kahrs, Johannes --- Kusolwong, Surasi --- Sæthre, Børre --- Korpys-Löffler --- Pop, Susi --- Rehberger, Tobias --- Frenck, Gerdine --- Lienbacher, Ulrike --- Bove, Carol --- Stollhans, Jürgen --- Korpys, Andree --- Löffler, Markus --- Kusolwong Surasi --- Saethre, Borre --- jaren 70 --- kunst en politiek --- video-stills
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In Meret Oppenheimer's oeuvre we encounter an early pioneer of a wholly imaginative interplay of liberal and applied art. Today the lively, poetical-humorous work still finds resonance in contemporary art through its candour as well as its spiritual and feminine independence. The exhibition catalogue 'Gedankenspiegel - Mirrors of the Mind' illustrates Meret Oppenheim's enduring position as artist's muse through numerous prints, paintings and photographs. Her work's stimulating dialogue with that of artist friends and colleagues portrays a picture of the creative landscape and notional affinity of the time. 0Exhibition: Jüdisches Museum Rendsburg, Germany (7.7.-22.9.2013) / LEVY Galerie, Hamburg, Germany (21.10.-4.12.2013).
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Oppenheim, Meret --- kunst --- twintigste eeuw --- surrealisme --- schilderkunst --- tekenkunst --- fotografie --- assemblages --- Duitsland --- Oppenheim Meret --- gender studies --- feminisme --- 7.071 OPPENHEIM --- Exhibitions --- Oppenheim, Meret.
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Gegenwärtig lässt sich in unterschiedlichen gesellschaftlichen Diskursfeldern eine Bezugnahme auf das Motiv der ,Vanitas' (Vergänglichkeit) feststellen.Die Beiträge dieses Band widmen sich der überraschenden Virulenz eines ursprünglich christlichen und in der Frühen Neuzeit wirkmächtigen Konzeptes in Popkultur, Literatur, Musik und bildender Kunst und verdeutlichen ferner seine Relevanz für Soziologie, Theologie, Philosophie, Psychologie und Medizin. Bedeutung erlangt Vanitas sowohl mit traditionell dem Motiv verwandten Themen wie Trauer und Mortalität als auch in Verbindung mit hochaktuellen Diskursen über Beschleunigungs- und Kontingenzerfahrungen, dystopischen Szenarien der Klimakatastrophe oder utopischen Visionen des Transhumanismus. Neben soziologischen und kulturwissenschaftlichen Perspektiven auf Vergänglichkeit, Flüchtigkeit, letale Krankheiten, Alter und Tod widmen sich die Beiträge der popkulturellen und künstlerischen Aneignung des Vanitas-Topos zwischen spielerischer Ironie und tiefsinniger Melancholie.Der interdisziplinäre Band ist ein wichtiger Beitrag zur gesellschaftlichen und kulturellen Reflexion von Gegenwart unter Bezugnahme auf einen tradierten kulturtheoretischen Topos. This interdisciplinary volume delves into the significance of the early modern vanitas motif in the present day. In the arts, pop culture, and social discourses, it is utilized to make cultural-critical diagnoses. Reflections about the mortality of human life, about decadence and conceit, or the futile pursuit of happiness are updated, but they are joined by new topics such as climate change and transhumanism.
LITERARY CRITICISM / General. --- Death. --- contemporary culture. --- cultural criticism. --- ephemerality.
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