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How do we rely on media for remembering? In exploring the complex ways that media converge to support our desire to capture, store and retrieve memories, this textbook offers analyses of representations of memorable events, media tools for remembering and forgetting, media technologies for archiving and the role of media producers in making memories. Theories of memory and media are covered alongside an accessible range of case studies focusing on memory in relation to radio, television, pop music, celebrity, digital media and mobile phones. Ethnographic and production culture research, including interviews with members of the public and industry professionals, is also included. Offering a comprehensive introduction to the connections and disconnections in the study of media and memory, this is the perfect textbook for media studies students.
Médias --- Mass media --- Aspect social --- Aspect psychologique --- Psychological aspects. --- Mass communications --- Aspect psychologique. --- Psychological aspects --- Aspect social. --- #KVHA:Media --- #KVHA:Memory studies --- Memory. --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Social aspects. --- Médias
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This is a fascinating study of the challenges faced by cultural institutions in collecting and curating the memory of protest. Written in a clear and accessible manner which will appeal to a wide readership, it offers a compelling argument about the civic value of giving protest an afterlife. Highly recommended. - Ann Rigney, Utrecht University, The Netherlands This short book enlivens memory as something that can spark protest and propel the commemoration, re-use and attempted management of its ‘afterlives’ by various players. Case studies of the Women’s March and London’s environmental river activisms offer rich models for readers seeking to understand the prefigurative political possibilities of activist collaborations with cultural institutions and for cultural workers alike. A terrific read. - Kylie Message, Australian National University, Australia This book addresses the emergence of ‘protest memory’ as a powerful contemporary shaper of ideas and practices in culture, media and heritage domains. Directly focused on the role of museum and archive practitioners in protest memory curation, it makes a compelling contribution to our understanding of how social movements and activist experiences are publicly remembered and activated for social and environmental justice. Red Chidgey is Senior Lecturer in Gender and Media at the Department of Culture, Media & Creative Industries, King’s College London. They are co-investigator of the Afterlives of Protest Research Network (AHRC) and former co-chair of the Memory & Activism working group of the Memory Studies Association. Joanne Garde-Hansen is Professor of Culture, Media and Communication in the School of Media and Communication at the University of Leeds, and has published widely on media and memory, media and water, and media histories. She led the Afterlives of Protest Research Network (AHRC) while at the University of Warwick.
Collective memory. --- Cultural property. --- Memory Studies. --- Cultural Heritage.
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Cognitive psychology --- Sociology of cultural policy --- cultureel erfgoed --- geheugen (mensen)
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This groundbreaking and truly interdisciplinary collection of essays examines how digital media technologies require us to rethink established conceptualisations of human memory in terms of its discourses, forms and practices.
Cognitive psychology --- Information systems --- Sociology of culture --- Memory. --- Memory --- Image processing --- Multimedia systems. --- Social aspects. --- Digital techniques.
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"This original book asks how, in an age of convergence, when 'television' no longer means a box in the corner of the living room that we sit and watch together, do we remember television of the past? How do we gather and archive our memories? Kristyn Gordon and Joanne Garde-Hansen explore these questions through first person interviews with tv producers, curators and archivists, and case studies of popular television series and fan communities such as 'Cold Feet' and 'Doctor Who'. Their discussion takes in museum exhibitions, popular televison nostalgia programming and 'vintage' tv websites"--
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Das Handbuch bietet einen umfassenden Überblick zu den Grundlagen, Schwerpunkten und Perspektiven der Beschäftigung mit kommunikativem Erinnern und medialem Gedächtnis. Damit erschließen seine Beiträge das Feld kommunikationswissenschaftlicher Erinnerungsforschung und verknüpfen es mit komplementären sozial-, geistes- und kulturwissenschaftlichen Ansätzen. Im Kompendium stehen originäre Beiträge aus dem deutschsprachigen Raum zu den Themenbereichen Journalismus und kollektive Erinnerung, Medienbilder in öffentlicher und privater Erinnerung sowie der Erinnerungskultur kommunikationswissenschaftlicher Fachgeschichte in Verbindung zu internationalen Sichtweisen. Neben der Darstellung erinnerungskultureller Konzepte und Kernfragen sowie ihrer interdisziplinären Anschlüsse werden die zentralen Arbeitsbereiche der wissenschaftlichen Auseinandersetzung mit medienkommunikativer Vergegenwärtigung kritisch aufgearbeitet. Auf diese Weise trägt das Handbuch zur Aufstellung und Ausrichtung einer kommunikationswissenschaftlichen Erinnerungsforschung bei. This handbook provides a comprehensive overview of the principles, perspectives, and main emphases of studying processes of communicative remembering and media memory. Its chapters analyze the field of communication memory studies and link it to complementary approaches from the social sciences, the humanities, and cultural studies.
SOCIAL SCIENCE / General. --- Collective Memory. --- Media Memory. --- Memory Cultures.
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