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Burkhart, Kathe

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La photographe américaine Shellburne Thurber s’est longtemps consacrée de manière intensive à des recherches photographiques sur la relation entre l’espace construit et l’énergie humaine. Guidée par l’idée qu’un lieu habité est une extension du corps et un espace de projection, elle a photographié une grande variété de sujets : des habitations de membres de la famille et d’amis décédés, des motels classiques de rues secondaires, des églises, des maisons et des hôpitaux abandonnés, mais aussi des projets de commande comme le Boston Athenæum et le Saint-Gaudens National Historical Park. Elle s’intéresse particulièrement aux espaces qui sont à la fois publics et privés. Le présent ouvrage présente une sélection de photographies de cabinets psychanalytiques prises en 1999 et 2000 à Buenos Aires, Argentine, et en Nouvelle-Angleterre, Etats-Unis.

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The Conditions of Being Art is the first book to examine the activities of groundbreaking contemporary art galleries Pat Hearn Gallery and American Fine Arts, Co. (19832004), and the transnational milieu of artists, dealers and critics that surrounded them.

Drawing on the archives of dealers Pat Hearn and Colin de Landboth, independently, legendary players on the New York art scene of the 1980s and '90s, and one of the great love stories of the art world, this publication illustrates their distinctive artistic practices, significant exhibitions and events, and daily business. Hearn and de Land championed art that challenged the business of running an art gallery; artists like Renée Green and Susan Hiller, Andrea Fraser and Cady Noland, who employed conceptualism and installation, social and institutional critique.

Contributing to the history of exhibitions, institutions and curating, The Conditions of Being Art addresses a significant gap in this literature around experimental commercial spaces in recent art history. This publication is the first book-length critical account of the alternative commercial gallery practices of the 1990s, a moment and a scene that is extremely influential to many of today's art dealers, curators and artists.

Hearn and de Land's gallery practices explored new experimental and ethical possibilities within the selling of art, testing the relationship of contemporary art to its markets. In this volume, full-color images, in-depth scholarly investigations and detailed gallery histories vibrantly document how Hearn and de Land tested new notions of what an art gallery could be.

art galleries [institutions] --- Pat Hearn Gallery [New York, N.Y.] --- American Fine Arts, Co

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Morrisroe, Mark, --- Photography, Artistic --- 7.071 MORRISROE --- 77.071 MORRISROE --- 791.071 MORRISROE --- film --- fotografie --- fotogrammen --- homoseksualiteit --- kunst --- Morrisroe Mark --- New York --- polaroids --- portretfotografie --- twintigste eeuw --- Verenigde Staten --- zelfportret --- Exhibitions

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Art --- video art --- performance art --- My Barbarian [Los Angeles, Calif.]