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This work investigates the use of mask in the Masquerade traditions of West Africa, specifically Nigeria. The author argues in favour of a common language of mask performance and focuses on the work of Wole Soyinka. Also presented is the author's trilogy of plays, ""Touch"".
Masquerades --- Masks. --- Costume --- Carnival --- Amusements --- Mumming --- One-act plays, English.
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Jazz --- Verenigde Staten van Amerika --- 20e eeuw
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