Listing 1 - 4 of 4 |
Sort by
|
Choose an application
This book draws on two philosophical conceptions, referred to with the terms identity and difference in "A la recherche du temps perdu", which is associated with the Proustian perspectives.
Choose an application
Throughout the history of all civilizations at least until very recently, the most fundamental values at the basis of societal organization and culture were determined and sanctified almost exclusively by men - including the values traditionally associated with women, such as corporeal beauty, purity, motherhood, or empathy. However, from the ancient times already, and increasingly toward the end of the second millennium, women have always found ways to overcome the limits set to them by the ...
Feminism --- Feminism and literature --- Human body in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Body, Human, in literature --- Human figure in literature --- Literature --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Women authors --- Emancipation --- Literature and feminism
Choose an application
What does it mean to write ""I"" in postmodern society, in a world in which technological advances and increased globalization have complicated notions of authenticity, origins, and selfhood? Under what circumstances and to what extent do authors lend their scriptural authority to fictional counterparts? What role does naming, or, conversely, anonymity play vis-à-vis the writing and written ""I""? What aspects of identity are subject to (auto)fictional manipulations? And how do these complicated ...
First person narrative. --- Narrative, First person --- Fiction --- Literature --- Narration (Rhetoric) --- Technique --- French literature --- Self in literature --- History and criticism
Choose an application
Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern “return to the real” cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas.
Mass communications --- Pragmatics --- Discourse analysis --- LITERARY CRITICISM / General. --- Social aspects. --- Narration (Rhetoric) --- Grammar, Comparative and general --- Linguistics --- Philology --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Reflexives --- Reflexives.
Listing 1 - 4 of 4 |
Sort by
|