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Hollywood in the Neighborhood presents a vivid new picture of how movies entered the American heartland-the thousands of smaller cities, towns, and villages far from the East and West Coast film centers. Using a broad range of research sources, essays from scholars including Richard Abel, Robert Allen, Kathryn Fuller-Seeley, Terry Lindvall, and Greg Waller examine in detail the social and cultural changes this new form of entertainment brought to towns from Gastonia, North Carolina to Placerville, California, and from Norfolk, Virginia to rural Ontario and beyond. Emphasizing the roles
Film --- United States --- 82:791.43 --- Literatuur en film --- Motion picture audiences --- Motion picture theaters --- Motion pictures --- History. --- Motion pictures. --- Music, Dance, Drama & Film --- History --- 82:791.43 Literatuur en film --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Audiences --- United States of America
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The king of radio comedy from the Great Depression through the early 1950s, Jack Benny was one of the most influential entertainers in twentieth-century America. A master of comic timing and an innovative producer, Benny, with his radio writers, developed a weekly situation comedy to meet radio's endless need for new material, at the same time integrating advertising into the show's humor. Through the character of the vain, cheap everyman, Benny created a fall guy, whose frustrated struggles with his employees addressed midcentury America's concerns with race, gender, commercialism, and sexual identity. Kathryn H. Fuller-Seeley contextualizes her analysis of Jack Benny and his entourage with thoughtful insight into the intersections of competing entertainment industries and provides plenty of evidence that transmedia stardom, branded entertainment, and virality are not new phenomena but current iterations of key aspects in American commercial cultural history.
Radio comedies --- american historian. --- celebrity history. --- contextualization. --- cultural appreciation. --- dj. --- entertainers in the 20th century. --- everyman. --- fall guy. --- great depression. --- humor. --- influential entertainers. --- king of comedy. --- radio comedy. --- radio historian. --- radio history. --- relatable character. --- BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts. --- Comedies, Radio --- Comedy programs --- Comedy programs, Radio --- Comedy radio programs --- Radio comedy programs --- Radio programs --- History and criticism. --- Benny, Jack, --- Kubelsky, Benjamin, --- Jack Benny program (Radio program) --- Jack Benny show (Radio program)
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Hollywood in the Neighborhood presents a vivid new picture of how movies entered the American heartland-the thousands of smaller cities, towns, and villages far from the East and West Coast film centers. Using a broad range of research sources, essays from scholars including Richard Abel, Robert Allen, Kathryn Fuller-Seeley, Terry Lindvall, and Greg Waller examine in detail the social and cultural changes this new form of entertainment brought to towns from Gastonia, North Carolina to Placerville, California, and from Norfolk, Virginia to rural Ontario and beyond. Emphasizing the roles of local exhibitors, neighborhood audiences, regional cultures, and the growing national mass media, their essays chart how motion pictures so quickly and successfully moved into old opera houses and glittering new picture palaces on Main Streets across America.
Motion pictures --- Motion picture audiences --- Motion picture theaters --- History. --- 20th century american films. --- american audiences. --- american films. --- american heartland. --- american midwest. --- early film exhibition. --- entertainment industry. --- ethnography. --- film audiences. --- film industry. --- film studies. --- film. --- government film exhibition. --- great depression. --- history of hollywood. --- history. --- hollywood. --- local moviegoing. --- media studies. --- motion pictures. --- movie show. --- movie studies. --- movies. --- national mass media. --- political. --- race in film. --- regional cultures. --- religion in film. --- retrospective. --- small town theatre. --- united states of america.
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Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930's against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
Motion picture actors and actresses --- Movie Stars, 1930s, glamour, Shirley Temple, Clark Gable, Errol Flynn, Olivia de Havilland, Fred Astaire, Ginger Rogers, Bette Davis, Joan Crawford, Norma Shearer, Marlene Dietrich, Greta Garbo, William Powell, Myrna Loy, Jean Harlow, Gary Cooper, essays, eminent film scholars, American cultural history.
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Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of "man's best friends" (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century. The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs "should" do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at "real" dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed. Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves.
Dogs in motion pictures. --- Dogs in moving-pictures --- Motion pictures --- Dogs in the movies.
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