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What is power? Where does it come from and who is in possession of it? How should we think about power and authority in a post-secular society in which traditional boundaries between individual and collective faith and secular governments and institutions are becoming increasingly blurred? The way which we conceive of power in the twenty-first century will effectively determine how we approach issues such as market reform and environmental disaster. Placing the twentieth-century French philosopher Michel Foucault into critical conjunction with the apostle Paul, "Foucault/Paul" re-evaluates the way in which power operates within society and underpins our ethical and political actions.
Power (Christian theology) --- Power (Philosophy) --- 21*01 --- Authority --- Ethics --- Philosophy --- Power (Theology) --- Christian sociology --- Godsdienstfilosofie: christelijke religie: filosofisch en rationeel --- Paul, --- Foucault, Michel, --- Fūkūh, Mīshīl, --- Foucault, Michael, --- Fuko, Mišel, --- Pʻukʻo, --- Pʻukʻo, Misyel, --- Phoukō, Misel, --- Fuke --- 福柯 --- Fuḳo, Mishel, --- Pavel, --- Pavol, --- Paulus von Tarsus, --- Paulos, --- Pōghos, --- Paweł, --- Paweł z Tarsu, --- Būlus, --- Pablo, --- Paulo de Tarso, --- Paolo di Tarso, --- Pál, --- Apostolos Paulos --- Saul, --- القديس بولس الرسول --- بولس، --- 사도바울 --- 21*01 Godsdienstfilosofie: christelijke religie: filosofisch en rationeel --- Power (Christian theology). --- Power (Philosophy). --- SOCIAL SCIENCE --- Christian theology. --- Deconstructionism, Structuralism, Post-structuralism. --- Biblical studies & exegesis. --- Political science & theory. --- Christianity. --- Theology. --- Structuralism & Post-structuralism. --- Criticism & exegesis of sacred texts. --- Religion. --- General. --- Power (christian theology). --- Power (philosophy). --- Social science --- Deconstructionism, structuralism, post-structuralism. --- Structuralism & post-structuralism. --- Foucault, M. --- Foucault, Michel --- Paulus, --- Pawełm --- Paulo, --- Paolo,
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This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the ‘penal colony’ as a widespread phenomenon is as much ‘imagined’ and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of ‘media’ produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or ‘penal spectatorship’ (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies.
Mass media and crime. --- Corrections. --- Punishment. --- Criminology—History. --- Cultural property. --- Culture—Study and teaching. --- Imperialism. --- Crime and the Media. --- Prison and Punishment. --- History of Criminology. --- Cultural Heritage. --- Visual Culture. --- Imperialism and Colonialism. --- Colonialism --- Empires --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Penalties (Criminal law) --- Penology --- Corrections --- Impunity --- Retribution --- Correctional services --- Criminal justice, Administration of --- Crime and mass media --- Crime --- Penal colonies. --- Expulsion --- Colonies --- Correctional institutions
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This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the 'penal colony' as a widespread phenomenon is as much 'imagined' and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of 'media' produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or 'penal spectatorship' (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies. Sophie Fuggle is Associate Professor of Postcolonial Studies and Cultural Heritage at Nottingham Trent University, UK, and teaches on the MA in Museum and Heritage Development programme. Charles Forsdick is James Barrow Professor of French at the University of Liverpool, UK. He has published on a range of subjects, including travel writing, colonial history, postcolonial and world literature, and the memorialisation of slavery. Katharina Massing is Senior Kecturer at Nottingham Trent University, UK and Course Leader of the MA in Museum and Heritage Development programme. .
Philosophy and psychology of culture --- Social problems --- Sociology of cultural policy --- International relations. Foreign policy --- Criminology. Victimology --- Criminal law. Criminal procedure --- Mass communications --- imperialisme --- cultureel erfgoed --- straffen en belonen --- cultuur --- massamedia --- media --- seksuologie --- criminaliteit --- gevangeniswezen --- kolonialisme
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"According to philosopher Michel Foucault, the 'history of the present' should constitute the starting point for any enquiry into the past and a critical ontology of ourselves. This book comprises a series of essays all centering on the question of the present, or rather, multiple presents which compose contemporary experience. The collection brings together philosophical readings of Foucault which try to rework his thought in light of our present, together with practical analyses of our own moment which draw on his methodological approaches to questions of power, knowledge and subjectivity. Covering a range of topics including freedom, politics, ethics, security, war, migration, incarceration, the sociology and political economy of new media, Marxism and activism, Foucault and the History of Our Present features essays from Tiziana Terranova, Alberto Toscano, Judith Revel, Sanjay Seth, Saul Newman, Mark Neocleous and William Walters"--
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