Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such varied topics mirror the eclectic and diverse nature of the postwar era itself.

Music --- Postmodernism. --- History and criticism. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- 1900-1999 --- Chile. --- Germany. --- John Adams, Alfred Schnittke, avant-garde. --- London. --- Ludwig van Beethoven, Johann Sebastian Bach. --- Theodor W. Adorno. --- USA. --- Wolfgang Amadeus Mozart. --- ecocriticism. --- historicity. --- music. --- musicology. --- nostalgia. --- postmodernism. --- temporality. --- time.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Jewish music has become the subject of a respectable literature in different academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as the performing arts and religious studies, the visual arts and philology, cultural studies and librarianship, and spanning topics that extend to almost all continents. As a forward-looking and multidisciplinary endeavor, The Oxford Handbook of Jewish Music Studies maps this emerging field within the framework of spatiality, temporality, and collectivity as analytical and conceptual categories. It does so by embracing all hemispheres, and interrogating Jewish music's meaning of various places and spaces across the temporal frame of antiquity through the early twenty-first century. The introductory chapter provides a theoretical foundation that paves the way for the rich selection of case studies brought together in the subsequent sections. These case studies document the different facets of Jewish music and theorize its multivalent correlation with spaces and collectives around the world. The thirty diverse chapters, conceived by an international team of thirty-one outstanding scholars, are divided into eight thematically organized sections, the first of which addresses Jewish music in various lands and territories (some without defined borders in time and space), followed by sections that focuses on cities, as well selected spaces therein-ghetto, concert hall, archive, and sacred and ritual spaces. These sections, which largely look at actual and concrete spaces (roughly presented in the order of scale), are followed by the phenomenological spaces of destruction and remembrance, and shekhinah, i.e., divine presence. With this approach to capturing diverse subjects within the field, the volume releases Jewish music from claims of continuity, constructions around genre, or simplistic binaries such as secular and sacred, to embrace it as self-sufficient and open culture and expression"--

Jews --- Music --- History and criticism. --- Political aspects --- History. --- Social aspects --- Religious aspects --- Judaism. --- Musique juive --- Musique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Exhibitions --- Aryanization --- Holocaust, Jewish (1939-1945) --- Jewish composers --- Jewish musicians --- Jews --- Music --- Persecutions --- History --- Arisierung --- Aryanisation --- World War, 1939-1945 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Musicians, Jewish --- Musicians --- Composers, Jewish --- Composers --- Catastrophe, Jewish (1939-1945) --- Destruction of the Jews (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Nazi Holocaust --- Nazi persecution of Jews --- Shoʾah (1939-1945) --- Genocide --- Kindertransports (Rescue operations) --- Economic aspects --- Confiscations and contributions --- Nazi persecution --- Atrocities --- Jewish resistance --- Austria --- Vienna (Austria) --- Wien (Austria) --- Vi︠e︡denʹ (Austria) --- Vedenʹ (Austria) --- Vena (Austria) --- Wiedëń (Austria) --- Bécs (Austria) --- Vindobona (Austria) --- Videnʹ (Austria) --- Vienne (Austria) --- Viena (Austria) --- Wienn (Austria) --- Dunaj (Austria) --- Wean (Austria) --- Wenen (Austria) --- Wina (Austria) --- Wene (Austria) --- Uigenna (Austria) --- فيينا (Austria) --- Fīyinnā (Austria) --- Vyana (Austria) --- Вена (Austria) --- Горад Вена (Austria) --- Виена (Austria) --- Beč (Austria) --- Fienna (Austria) --- Viin (Austria) --- Βιέννη (Austria) --- Вена ош (Austria) --- Vena osh (Austria) --- Vieno (Austria) --- Viene (Austria) --- Vín (Austria) --- Veen (Austria) --- 빈 (Austria) --- Венæ (Austria) --- Venæ (Austria) --- וינה (Austria) --- Ṿinah (Austria) --- Vienna (Reichsgau) --- Ao-ti-li --- Ostmark --- Alpen- und Donau-Reichsgaue --- al-Nimsā --- Ausztria --- Østrig --- Avusturya --- Österreich --- Avstrii︠a︡ --- Autriche (Republic) --- Rakousko --- Deutschösterreich --- German Austria --- Republik Österreich --- Austrian Republic --- Avstrija --- Republic of Austria --- オーストリア --- Ōsutoria --- אוסטריה --- Osṭriyah --- Austro-Hungarian Monarchy --- Holy Roman Empire --- Civilization --- Jewish influences --- Ethnic relations --- Intellectual life --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945)