Listing 1 - 5 of 5 |
Sort by
|
Choose an application
OAuth --- PHP --- Mobiel internet
Choose an application
Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.
English drama --- Art and literature --- History and criticism. --- History --- Theatrical science --- Drama --- English literature --- anno 1500-1599 --- anno 1600-1699 --- Iconoclasm in literature. --- Unfinished works of art. --- Art in literature. --- Material culture in literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Art, Incomplete --- Art, Unfinished --- Arts, Incomplete --- Arts, Unfinished --- Incomplete works of art --- Art --- Arts --- literature --- plays and playwrights --- Apelles --- Brazen head --- Early Modern English --- Early modern period --- England --- Iconoclasm --- Visual arts --- Visual culture --- William Shakespeare --- Visual perception in literature. --- Literature and literary studies --- Literature: history and criticism / Literary studies: plays and playwrights. --- LITERARY CRITICISM --- Biography, Literature & Literary studies --- Drama. --- Literary studies: plays & playwrights.
Choose an application
Why did Queen Elizabeth I compare herself with her disastrous ancestor Richard II? Why would Ben Jonson transform Queen Anne and her ladies into Amazons as entertainment for the pacifist King James? How do the concept of costume as high fashion and as self-fashioning, as disguise and as the very essence of theatre, relate to one other? How do portraits of poets help make the author readers want, and why should books, the embodiment of the word, be illustrated at all? What conventions connect image to text, and what impulses generated the great art collections of the early seventeenth century? In this richly illustrated collection on theatre, books, art and personal style, the eminent literary critic and cultural historian Stephen Orgel addresses himself to such questions in order to reflect generally on early modern representation and, in the largest sense, early modern performance. As wide-ranging as they are perceptive, the essays deal with Shakespeare, Jonson and Milton, with Renaissance magic and Renaissance costume, with books and book illustration, art collecting and mythography. All are recent, and five are hitherto unpublished.
Theater --- Performing arts --- Show business --- Arts --- Performance art --- History --- England --- Social life and customs --- Civilization --- European history / British and Irish history. --- LITERARY CRITICISM --- History & Archaeology --- General. --- European history. --- books. --- costume. --- culture. --- disguise. --- drama. --- dramatic performance. --- performative elements. --- personal style. --- theater. --- visual arts.
Choose an application
Presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen
Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Stage history. --- Criticism and interpretation. --- Literature and literary studies --- Literary studies: plays and playwrights / Shakespeare studies and criticism --- LITERARY CRITICISM --- Biography, Literature & Literary studies --- Shakespeare. --- Literature: history & criticism --- English. --- American identities. --- European Fascism. --- Georgia Shakespeare. --- Globe Theatre. --- John Barton. --- Julius Caesar. --- Lindsay Anderson. --- Margaret Thatcher. --- Orson Welles. --- Second World War. --- Trevor Nunn. --- global Caesars. --- minor films. --- modernist productions. --- new millenium. --- unknown accents.
Choose an application
'Shakespeare's Cinema of Love' addresses the extent to which the Bard has influenced modern film genres. Convincing arguments are made for the links between his comedies of love and genres such as 'screwball' comedy, musicals, romantic comedy and tragic love films.
Motion pictures --- Film genres. --- Love in motion pictures. --- Plots, themes, etc. --- Shakespeare, William, --- Shakespeare, William, --- Film adaptations. --- Influence. --- Cinema. --- Comedy. --- Genre. --- Influence. --- Romance. --- Shakespeare.
Listing 1 - 5 of 5 |
Sort by
|