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Book
Portraiture and friendship in Enlightenment France
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ISBN: 1644532018 9781644532010 9781644532027 1644532026 Year: 2020 Publisher: Newark, Delaware University of Delaware Press

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"Portraiture and Friendship in Enlightenment France' examines how new and often contradictory ideas about friendship were enacted in the lives of artists in the eighteenth century. It demonstrates that portraits resulted from, and generated, new ideas about friendship by analyzing the creation, exchange, and display of portraits alongside discussions of friendship in philosophical and academic discourse, exhibition criticism, personal diaries, and correspondence. This study provides a deeper understanding of how artists took advantage of changing conceptions of social relationships and used portraiture to make visible new ideas about friendship that were driven by Enlightenment thought"--Publisher's description


Book
Artistes, savants et amateurs : art et sociabilité au XVIIIe siècle (1715-1815) : actes du colloque international, organisé du 23 au 25 juin 2011 à l'INHA, Paris
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ISBN: 9791092054422 Year: 2016 Publisher: Paris: Mare & Martin,

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Book
Making Ideas Visible in the Eighteenth Century.
Authors: --- --- --- --- --- et al.
ISBN: 1644532352 1644532344 9781644532355 9781644532348 Year: 2022 Publisher: Newark : University of Delaware Press,

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This volume considers how ideas were made visible through the making of art and visual experience occasioned by reception during the long eighteenth century. The event that gave rise to the collection was the 15th David Nochol Smith Seminar in Eighteenth-Century Studies, which launched a new Australian and New Zealand Society of Eighteenth-Century Studies. Two strands of interest are explored by the individual authors. The first four essays work with ideas about material objects and identity formation, suggesting how the artist's physical environment contributes to the sense of self, as a practicing artist or artisan, as an individual patron or collector, or as a woman or religious outsider. The last four essays address the intellectual work that can be expressed through or performed by objects. Through a consideration of the material formation of concepts, this book explores questions that are implicated by the need to see ideas in painted, sculpted, illustrated, and designed forms. In doing so, it introduces new visual materials and novel conceptual models into traditional accounts of the intellectual history of the Enlightenment.

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