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Social Functions of Synagogue Song: A Durkheimian Approach by Jonathan L. Friedmann paints a detailed picture of the important role sacred music plays in Jewish religious communities. Drawing upon the work of Émile Durkeim, the book examines how synagogue songs serve disciplinary, cohesive, revitalizing, and euphoric functions.
Synagogue music --- Jewish liturgical music --- Jewish religious music --- Jewish sacred music --- Jewish sacred vocal music --- Jews --- Judaism --- Sacred music --- Sacred vocal music --- History and criticism. --- Social aspects. --- Liturgy --- History and criticism --- Durkheim, Émile, --- Tʻu-erh-kan, --- Di︠u︡rkem, E., --- Durkheim, David Émile, --- Di︠u︡rkgeĭm, Ėmilʹ, --- Dyurukēmu, Emīru, --- Durkheim, Emilio, --- Dirkem, Emil,
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"This book introduces theoretical approaches to the study of Jewish sacred music. Major topics include the diversity of Jewish music, the interaction of music and identity, the emotional and spiritual impact of worship music, the text-tone relationship, the musical component of Jewish holidays, and the varied ways prayer-songs are performed"--Provided by publisher.
Synagogue music --- Jews --- Musique synagogale --- Juifs --- History and criticism. --- Music --- Histoire et critique --- Musique
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"William Sharlin, a cantor, synagogue composer, teacher and musicologist, was a founding member of the American Conference of Cantors and the first to play a guitar in the synagogue. Drawing on interviews conducted with Sharlin late in life, the author chronicles the career of one of the most inventive and creative figures in the history of the cantorate"--
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"This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres. This investigation demonstrates how music helped shape and define the self-identity of ancient Israel"--Provided by publisher.
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This book contains six chapters covering key areas of musical aesthetics, including aesthetics of emotions; aesthetics of listening; aesthetics of performance; aesthetics of composition; aesthetics of nature; and aesthetics of commerce. Each chapter adopts an experiential approach to aesthetics, in which perceptual and intuitive musical responses - real-time experiences - are valued as a source of truth. Unlike intellectual aesthetics, which values conscious associations and meticulous artistic appraisals, experiential aesthetics looks primarily at everyday subconscious appreciations. The explorations here draw from the social sciences, hard sciences, philosophy, literature, theology, musicology, humanities, and other fields that directly or indirectly contribute to an understanding of our attraction to music. Presenting user-friendly distillations of numerous theories, concepts, and functions, this book will be of interest to both lay readers and expert practitioners.
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Music plays an integral role in many facets of human life, from the biological and social to the spiritual and political. This book brings together interdisciplinary and cross-cultural studies on the functions, purposes, and meanings of music in human experience.
Music --- Physical anthropology. --- Philosophy and aesthetics.
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Bible. --- Criticism, interpretation, etc. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento
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