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This Atom Bomb in Me traces what it felt like to grow up suffused with American nuclear culture in and around the atomic city of Oak Ridge, Tennessee. As a secret city during the Manhattan Project, Oak Ridge enriched the uranium that powered Little Boy, the bomb that destroyed Hiroshima. The city was a major nuclear production site throughout the Cold War, adding something to each and every bomb in the United States arsenal. Even today, Oak Ridge contains the world's largest supply of fissionable uranium. The granddaughter of an atomic courier, Lindsey A. Freeman turns a critical yet nostalgic eye to the place where her family was sent as part of a covert government plan. Theirs was a city devoted to nuclear science within a larger America obsessed with its nuclear prowess. Through memories, mysterious photographs, and uncanny childhood toys, she shows how Reagan-era politics and nuclear culture irradiated the late twentieth century. Alternately tender and alarming, her book takes a Geiger counter to recent history, reading the half-life of the atomic past as it resonates in our tense nuclear present.
Nuclear weapons industry --- Weapons industry --- History --- Freeman, Lindsey A. --- Oak Ridge (Tenn.) --- Oakridge (Tenn.) --- Oak Ridge, Tenn. --- Social life and customs --- 1980s. --- Cold War. --- Oak Ridge. --- Tennessee. --- atomic. --- memory. --- nostalgia. --- nuclear. --- secrecy. --- twentieth century.
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"Longing for the Bomb traces the unusual story of the first atomic city and the emergence of American nuclear culture. Tucked into the folds of Appalachia and kept off all commercial maps, Oak Ridge, Tennessee, was created for the Manhattan Project by the U.S. government in the 1940s. Its workers labored at a breakneck pace, most aware only that their jobs were helping 'the war effort.' The city has experienced the entire lifespan of the Atomic Age, from the fevered wartime enrichment of the uranium that fueled Little Boy, through a brief period of atomic utopianism after World War II when it began to brand itself as 'The Atomic City,' to the anxieties of the Cold War, to the contradictory contemporary period of nuclear unease and atomic nostalgia. Oak Ridge's story deepens our understanding of the complex relationship between America and its bombs. Blending historiography and ethnography, Lindsey Freeman shows how a once-secret city is visibly caught in an uncertain present, no longer what it was historically yet still clinging to the hope of a nuclear future. It is a place where history, memory, and myth compete and conspire to tell the story of America's atomic past and to explain the nuclear present"--
Popular culture --- World War, 1939-1945 --- Atomic bomb --- Official secrets --- Disclosing official secrets --- Government secrecy --- Secrecy in government --- Secrets, Official --- Secrets of state --- Confidential communications --- Criminal law --- Government and the press --- Government information --- Ministerial responsibility --- Secrecy --- A-bomb --- Atom bomb --- Bombs --- Nuclear weapons --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- History --- Social aspects --- History. --- Manhattan Project (U.S.) --- Oak Ridge National Laboratory --- United States. --- O.R.N.L. --- ORNL --- Oak Ridge (Tenn.) --- Oakridge (Tenn.) --- Oak Ridge, Tenn. --- Social life and customs
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In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord's notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now "spectacle" can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin's plea to "explode the continuum of history" and bring our attention to now-time.
Mass media and history. --- Collective memory. --- Memorialization. --- Mass media --- Information technology --- Médias et histoire --- Mémoire collective --- Commémorations --- Médias --- Technologie de l'information --- Technological innovations --- Social aspects. --- Innovations --- Aspect social --- #SBIB:39A8 --- #SBIB:309H504 --- #SBIB:309H103 --- Mass communication --- Media, Mass --- Media, The --- Communication --- Memorialisation --- Memorials --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and mass media --- History --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Code en boodschap: sociologische, antropologische benadering --- Mediatechnologie / ICT / digitale media: sociale en culturele aspecten --- Médias et histoire --- Mémoire collective --- Commémorations --- Médias --- Collective memory --- Mass media and history --- Memorialization --- Social aspects --- Technological innovations&delete&
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"This ... collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The bohemian South provides [a] perspective in the new South as an epicenter for progress, innovation, and experimentation"--
Counterculture --- Bohemianism --- Manners and customs --- Hippies --- Counter culture --- Countercultures --- Culture --- Subculture --- Southern States --- Civilization.
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In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-inte
Mass media and history. --- Collective memory. --- Memorialization. --- Mass media --- Information technology --- Mass communication --- Media, Mass --- Media, The --- Communication --- Memorialisation --- Memorials --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and mass media --- History --- Technological innovations --- Social aspects.
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