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"Staging Strangers: Theatre and Global Ethics is a study of cultural difference in contemporary Canadian theatre. Theatre in Canada has long been a forum for cultural communities to celebrate their traditions, but it has now emerged as a forum for staging stories that stretch beyond local and national communities. This book onsiders the new demand this global shift is placing on theatre's narratives and strategies and asks: how might theatre more meaningfully and ethically stage strangers? Combining archival research and performance analysis to discuss a set of performances mainly in Toronto, Staging Strangers offers a fresh look how theatre can be an important site of cultural encounter in a global age. Because the examples are mainly drawn from Toronto, the book is also a study of how cultural difference is realized in an emblematic 'global city.' The book adopts the guiding metaphor of 'the stranger' to discuss the many ways cultural difference is made to appear-or disappear-onstage. Equally, the book considers the many ways the stranger on stage may be fetishized or domesticated, marked for assimilation, or made an object of fear. It argues that a theatre that only valorizes individual, cultural 'self-realization' and concretizes cultural difference may at times also erect barriers to meaningful ethical engagement with strangers. More than a descriptive text about a shift toward the global, the book offers a vision of theatre that contributes meaningfully to global ethics, that is, a sense of ethical responsibility to global issues and distant strangers."--
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"Why theatre now? Reflecting on the mix of challenges and opportunities that face theatre in communities that are necessarily becoming global in scope and technologically driven, In Defence of Theatre offers a range of passionate reflections on this important question. Kathleen Gallagher and Barry Freeman bring together nineteen playwrights, actors, directors, scholars, and educators who discuss the role that theatre can--and must--play in professional, community, and educational venues. Stepping back from their daily work, they offer scholarly research, artists' reflections, interviews, and creative texts that argue for theatre as a response to the political and cultural challenges emerging in the twenty-first century. Contributors address theatre's contribution to local and global politics of place, its power as an antidote to various modern social ailemnts, and its pursuit of equality. Of equal concern are the systematic and practical challenges that confront those involved in realizing theatre's full potential."--
Theater and society. --- Theater --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Actors --- Society and theater --- Political aspects. --- Psychology --- Social status --- Social aspects --- Theater and society --- Aesthetics --- Théâtre et société --- Théâtre --- Esthétique --- Political aspects --- Aspect politique --- Radio broadcasting Aesthetics
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