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Au-delà des théories urbaines formulées par les théoriciens de la seconde moitié du XXe siècle, le suburbain, domaine de l'urbanisme s'intéressant aux banlieues, acquiert une position de plus en plus importante dans le débat urbanistique et architectural. Plusieurs problématiques spécifiques apparaissent dès lors, autour des enjeux, des potentiels et des opportunités.--[Memento]

Architecture, Domestic --- Neighborhoods --- Suburbs --- Architecture domestique --- Quartiers (Urbanisme) --- Banlieues --- Périurbain --- Bâtiment d'habitation collectif --- Densité urbaine --- Habitat collectif --- Immeubles d'habitation --- Quartiers (urbanisme) --- Conception et construction --- 728 --- 728.2 --- 728.036 --- 728.037 --- 711.581 --- Woningen (architectuur) --- Collectief wonen --- Meergezinswoningen --- 20ste eeuw (woningbouw) --- Twintigste eeuw (woningbouw) --- 21ste eeuw (woningbouw) --- Eénentwintigste eeuw (woningbouw) --- Voorsteden --- Buitenwijken

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muziekinstrumenten --- Manet, Edouard --- Gauguin, Paul --- Regoyos, Darío de --- 1860 - 1910 --- 19de eeuw --- 20ste eeuw --- Manet, Édouard --- Musical instruments in art --- Musicians in art --- Impressionism (Art) --- Painting, French --- Art, Modern --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Modern art --- Nieuwe Ploeg (Group of artists) --- Themes, motives --- muziekinstrumenten. --- Manet, Édouard. --- Gauguin, Paul. --- Regoyos, Darío de. --- 1860 - 1910. --- 19de eeuw. --- 20ste eeuw.

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This beautifully illustrated book examines the artistic career of the French painter and draftsman Henri-Edmond Cross who was a key figure in the development of European modernism. Inspired by the work of Realist painters such as Gustave Courbet and François Bonvin, Henri-Edmond Cross's earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross's palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross's artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter's anarchist sympathies and the political dimensions of his depictions of utopian sceneries.

Neo-impressionism (Art) --- Avant-garde (Aesthetics) --- Color in art --- Painting, French --- Male artists --- Anarchist artists --- 75.07 --- Cross, Henri-Edmond (Douai, Frankrijk20 mei 1856 – Saint-Clair, 16 mei 1910) --- Men artists --- Artists --- Aesthetics --- Modernism (Art) --- Divisionism --- Pointillism --- Art, Modern --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Schilderkunst ; schilders A-Z --- Cross, Henri Edmond, --- Delacroix, Henri-Edmond, --- Criticism and interpretation. --- Themes, motives.