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Die urbane Landschaft der Peloponnes befand sich am Anbruch der römischen Kaiserzeit im Wandel. Die alten griechischen Poleis sahen sich nicht zuletzt durch die Neugründung der römischen coloniae Korinth und Patrai mit den geänderten soziokulturellen Konstellationen des Imperium Romanum konfrontiert. Mit der vorliegenden Untersuchung wird erstmals eine komplexere Beurteilung der inneren Urbanisierung auf der Peloponnes, verstanden als kulturhistorischer Entwicklungsprozess urbaner Lebensformen, für den Zeitraum vom ausgehenden 1. Jh. v. Chr. bis in flavisch-trajanische Zeit vorgenommen. Zu diesem Zweck werden die Veränderungen innerhalb der materiellen Existenzgrundlagen der colonia Korinth sowie der beiden griechischen Poleis Sparta und Argos exemplarisch analysiert und hinsichtlich ihrer Implikationen für die Sinnstiftung einer städtischen Identität hinterfragt. Die zuvor beobachteten beobachteten urbanistischen Phänomene werden schlie�lich in den weiter gefassten Rahmen der peloponnesischen Städtelandschaft im kulturellen Wandel eingeordnet und die dabei zu Tage tretenden regionalen Divergenzen begründet.
Architecture and society --- Architecture and society. --- Architecture --- Architecture. --- Cities and towns --- Cities and towns. --- Space (Architecture) --- Space (Architecture). --- History --- Peloponnesus (Greece : Peninsula) --- History. --- Cities and towns, Ancient --- City planning
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This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and 'decorative' marble-objects, and through its methodological emphasis on 'close viewing' (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its 'long life', the viewing and 'reading' of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
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This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and 'decorative' marble-objects, and through its methodological emphasis on 'close viewing' (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its 'long life', the viewing and 'reading' of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
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Considering Greek statue inscriptions from the archaic and early classical periods, this book emphasizes inscription practices without losing sight of issues of semantics. The analysis focuses on the layout and graphical or ornamental features of the inscriptions. With this approach, for the first time questions of aesthetics and materiality, which were previously examined only for the statues themselves, are also brought to their inscriptions. Das Buch nimmt griechische Statueninschriften der Archaik und Frühklassik in den Blick und legt den Fokus auf die Beschriftungspraxis, ohne Fragen der Semantik zu vernachlässigen. Im Zentrum stehen dabei etwa das Layout und die graphisch-ornamentale Qualität von Schrift. Mit diesem Zugang werden erstmals Fragen der Ästhetik und Materialität, welche bisher nur für die Statuen selbst untersucht wurden, auch an ihre Inschriften herangetragen.
Inschrift. --- Materiality. --- Materialität. --- Schriftkultur. --- inscription. --- writing culture. --- HISTORY / Ancient / General.
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Sculpture, Greek --- Inscriptions, Greek --- Social archaeology
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Roman provinces --- Romans --- Provinces romaines --- Romains --- Congresses --- Congresses. --- Congrès --- Greece --- Grèce --- Civilization --- Roman influences --- Intellectual life --- Social life and customs --- Religious life and customs --- Civilisation --- Influence romaine --- Vie intellectuelle --- Moeurs et coutumes --- Vie religieuse
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This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological emphasis on ‘close viewing’ (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life’, the viewing and ‘reading’ of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
ART / History / Ancient & Classical. --- Greek epigraphic. --- Greek sculpture. --- Text-Image Studies. --- Visual Studies. --- Sculpture, Greek. --- Greek sculpture
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