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Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia.

Feminism and motion pictures --- Human body in motion pictures --- Film --- Music, Dance, Drama & Film --- Body, Human, in motion pictures --- Motion pictures and feminism --- Culture --- Motion pictures and television. --- Motion pictures --- Feminist theory. --- Sociology. --- Cultural studies. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Cultural and Media Studies. --- Film and Television Studies. --- Gender Studies. --- Feminism. --- Film History. --- Cultural Studies. --- Sociology, general. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Moving-pictures and television --- Television and motion pictures --- Television --- Cultural studies --- Study and teaching. --- History. --- Psychological aspects --- Philosophy --- History and criticism --- Motion pictures—History. --- Screen Studies.

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2003 CHOICE Outstanding Academic TitlePerforming Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness. Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability. In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.

Social problems in motion pictures. --- Race relations in motion pictures. --- Whites in motion pictures. --- Motion pictures --- Whites in motion pictures --- White people in motion pictures.

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Etiquette. --- Man-woman relationships. --- Female-male relationships --- Male-female relationships --- Men --- Men-women relationships --- Relationships, Man-woman --- Woman-man relationships --- Women --- Women-men relationships --- Interpersonal relations --- Mate selection --- Ceremonies --- Condolence, Etiquette of --- Manners --- Politeness --- Usages --- Conduct of life --- Manners and customs --- Relations with women --- Relations with men

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Akerman, Chantal

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Film --- Cinématographie numérique --- Digital cinematography --- Digitale cinematografie --- Motion pictures --- United States --- History --- 21st century --- Motion picture industry --- Technological innovations --- Digital media --- Influence