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The 1984 explosion of the Union Carbide chemical plant in Bhopal, India was undisputedly one of the world's worst industrial disasters. Some have argued that the resulting litigation provided an "innovative model" for dealing with the global distribution of technological risk; others consider the disaster a turning point in environmental legislation; still others argue that Bhopal is what globalization looks like on the ground. Kim Fortun explores these claims by focusing on the dynamics and paradoxes of advocacy in competing power domains. She moves from hospitals in India to meetings with lawyers, corporate executives, and environmental justice activists in the United States to show how the disaster and its effects remain with us. Spiraling outward from the victims' stories, the innovative narrative sheds light on the way advocacy works within a complex global system, calling into question conventional notions of responsibility and ethical conduct. Revealing the hopes and frustrations of advocacy, this moving work also counters the tendency to think of Bhopal as an isolated incident that "can't happen here."
Disaster victims --- Environmental policy --- Social responsibility of business --- Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984. --- Disaster relief --- Services for. --- Citizen participation. --- Environmental aspects. --- advocate, activist, activism, environment, environmentalist, environmentalism, disaster, problem, global, science, scientific, history, historical, india, southeast, asia, litigation, legal, technology, technological, risk, dangerous, globalization, power, justice, victim, ethnography, plaintive, union, womens movement, community, culture.
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Ethnology --- Authorship --- Methodology --- Fieldwork --- -Antropologie: methoden en technieken --- -Anthropology --- #SBIB:39A2 --- -Ethnology --- -Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Antropologie: methoden en technieken --- -Congresses --- Anthropologie --- Art d'écrire --- Méthodologie --- Anthropologie. --- Art d'écrire. --- Méthodologie. --- Ethnology - Authorship - Congresses --- Ethnology - Methodology - Congresses --- Ethnology - Fieldwork --- -Authorship
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Introduction : partial truths / James Clifford ## Fieldwork in common places / Mary Louise Pratt ## Hermes' dilemma : the masking of subversion in ethnographic description / Vincent Crapanzano ## From the door of his tent : the fieldworker and the inquisitor / Renato Rosaldo ## On ethnographic allegory / James Clifford ## Post-modern ethnography : from document of the occult to occult document / Stephen A. Tyler ## The concept of cultural translation in British social anthropology / Talal Asad ## Contemporary problems of ethnography in the modern world system / George E. Marcus ## Ethnicity and the post-modern arts of memory / Michael M.J. Fischer ## Representations are social facts : modernity and post-modernity in anthropology / Paul Rabinow ## Afterword : ethnographic writing and anthropological careers / George E. Marcus.
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Over the past two decades anthropologists have been challenged to rethink the nature of ethnographic research, the meaning of fieldwork, and the role of ethnographers. Ethnographic fieldwork has cultural, social, and political ramifications that have been much discussed and acted upon, but the training of ethnographers still follows a very traditional pattern; this volume engages and takes its point of departure in the experiences of ethnographers-in-the-making that encourage alternative models for professional training in fieldwork and its intellectual contexts.The work done by contributors to Fieldwork Is Not What It Used to Be articulates, at the strategic point of career-making research, features of this transformation in progress. Setting aside traditional anxieties about ethnographic authority, the authors revisit fieldwork with fresh initiative. In search of better understandings of the contemporary research process itself, they assess the current terms of the engagement of fieldworkers with their subjects, address the constructive, open-ended forms by which the conclusions of fieldwork might take shape, and offer an accurate and useful description of what it means to become-and to be-an anthropologist today.Contributors: Lisa Breglia, George Mason University; Jae A. Chung, Aalen University; James D. Faubion, Rice University; Michael M. J. Fischer, MIT; Kim Fortun, Rensselaer Polytechnic Institute; Jennifer A. Hamilton, Hampshire College; Christopher M. Kelty, UCLA; George E. Marcus, University of California, Irvine; Nahal Naficy, Rice University; Kristin Peterson, University of California, Irvine; Deepa S. Reddy, University of Houston-Clear Lake
Anthropology --- Ethnology --- Fieldwork. --- Methodology. --- #SBIB:39A2 --- Antropologie: methoden en technieken --- Anthropology -- Fieldwork. --- Anthropology -- Methodology. --- Ethnology -- Fieldwork. --- Fieldwork --- Methodology
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As multisited research has become mainstream in anthropology, collaboration has gained new relevance and traction as a critical infrastructure of both fieldwork and theory, enabling more ambitious research designs, forms of communication, and analysis. 'Collaborative Anthropology Today' is the outcome of a 2017 workshop held at the Center for Ethnography, University of California, Irvine. This book is the latest in a trilogy that includes 'Fieldwork Is Not What It Used to Be' and 'Theory Can Be More Than It Used to Be.' Dominic Boyer and George E. Marcus assemble several notable ventures in collaborative anthropology and put them in dialogue with one another as a way of exploring the recent surge of interest in creating new kinds of ethnographic and theoretical partnerships, especially in the domains of art, media, and information.
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