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Improvisation in dance --- Motion study --- Improvisation (Danse) --- Mouvements, Etude des --- Forti, Simone
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Ouvrage de référence rassemblant l'intégralité des transcriptions des News Animations de Simone Forti, une série de performances aux itérations infinies initiée au milieu des années 1980, traduisant le langage et les images des articles de journal et des journaux télévisés en compositions de mouvements improvisés, comme tentative de comprendre l'actualité (et ses représentations médiatiques) par le biais du geste dansé. Ce livre rassemble la collection complète des News Animations de Simone Forti, l'une des œuvres le splus représentatives de sa pratique artistique. Les actualités et, plus largement, les questions les plus urgentes de la situation socio-politique mondiale, sont utilisées pour explorer le potentiel du langage, ses dimensions et sa combinaison avec la danse, les mouvements, les mots, les images et la musique. En « dansant » les nouvelles, l'artiste donne voix et corps à des réflexions sur le monde, ses conflits, la guerre, les injustices et les inégalités. Ce volume rassemble les News Animations de Simone Forti de 1980 à 2018 – à travers les transcriptions des performances, les images et les dessins – en cherchant à saisir leur esprit, leur position poétique et, surtout, à comprendre la manière dont elles décrivent la société et le monde dans lesquels nous vivons. La danseuse, chorégraphe, artiste et écrivaine américaine Simone Forti (née en 1935 à Florence) est une figure de proue du développement de la performance contemporaine. Forti s'est consacrée à la recherche d'une conscience kinesthésique, constamment engagée dans l'expérimentation et l'improvisation, qui a reconfiguré le concept de performance et de danse.
kunst --- Verenigde Staten --- Italië --- Forti Simone --- muziek --- woord en beeld --- 7.071 FORTI --- performances --- performance --- dans --- twintigste eeuw --- eenentwintigste eeuw --- Performance, art
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This book accompanies a new exhibition of the work of Robert Morris (1931-2018), a foundational figure in the history of Minimalism, Postminimalism, and Conceptual art. The exhibition focuses on the role of installation and the phenomenology of direct encounter in Morris's work of the 1960s and 1970s, foregrounding the relation between the sculptural object and the beholder - the "perceiving body" - in the space of the room. This volume contains texts composed from three vantage points: art-historical essays by Jeffrey Weiss, Caroline A. Jones, and Courtney Fiske consider chief works and themes; personal accounts by dancer Simone Forti and curator and critic Bernard Ceysson reflect on the authors' working relationships with Morris during his early period; and three essays by the artist himself - here translated into French for the first time - address certain fundamental preoccupations of sculpture after 1960: medium, form, space, and time.00Exhibition: MUDAM, Luxembourg (07.02.- 01.06.2020).
Art --- mirrors --- felt work --- sculpture [visual works] --- installations [visual works] --- Minimal --- Conceptual --- beams [structural elements] --- Morris, Robert --- anno 1960-1969 --- anno 1970-1979 --- Art conceptuel --- Minimalisme
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Merce Cunningham's dynamic artistic collaborations are the subject of a major interdisciplinary survey organized by the Walker, home to the complete scenic and costume archive of the Merce Cunningham Dance Company (MCDC). Renowned as both choreographer and dancer, Cunningham (American, 1919-2009) revolutionized dance through his partnerships with leading artists who created costumes, lighting, films, music, and décor and whose independent creative instincts he held in the highest regard. Common Time offers a journey through a range of experiential installations that unfold at the Walker in seven galleries, the theater, the cinema, and public spaces throughout the museum. Known for embracing risk and chance, Cunningham believed in the radical notion that movement, sound, and visual art could exist independently of each other, coming together only during the common time of a performance. The exhibition presents Cunninghams work and that of his network of collaborators through rare and never-before-seen moving image presentations and installations of décor and costumes from the MCDC Collection as well as pieces by his lifelong collaborator, composer John Cage, and Trisha Brown, Tacita Dean, Jasper Johns, Morris Graves, Robert Morris, Bruce Nauman, Isamu Noguchi, Nam June Paik, Yvonne Rainer, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol, and many others.
video art --- costume design --- music [performing arts] --- flats [theater elements] --- stage lighting --- Art --- choreography --- art [fine art] --- dances [performance events] --- scenography [discipline] --- Nauman, Bruce --- Johns, Jasper --- Rauschenberg, Robert --- Kawakubo, Rei --- Cunningham, Merce --- Graves, Morris --- Paik, Nam June --- Morris, Robert --- Kosugi, Takehisa --- Atlas, Charles --- Tudor, David --- Cage, John --- choreographers --- installation artists --- installations [visual works] --- kunst --- dans --- muziek --- performances --- video --- videokunst --- setdesign --- schilderkunst --- twintigste eeuw --- Cunningham Merce --- Cgae John --- Atlas Charles --- Graves Morris --- Johns Jasper --- Kawakubo Rei --- Kosugi Takehisa --- Morris Robert --- Mumma Gordon --- Nauman Bruce --- Neto Ernesto --- Oliveros Pauline --- Paik Nam June --- VanDerBeek Stan --- Warhol Andy --- 7.071 CUNNINGHAM --- Exhibitions --- Cunningham, Merce. --- Cunningham, Mercier Philip --- art [discipline] --- music [performing arts genre]
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