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Occultism in art. --- Occultisme dans l'art --- History of civilization --- Esoteric sciences --- Art --- Occultism. --- Signs and symbols. --- Symbolism. --- Occultisme --- Signes et symboles --- Symbolisme
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Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages andamp; Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Böhme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity andamp; Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Pérez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Åkerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, György Szönyi, Carsten Wilke, and Thomas Willard.
Occultism. --- Occultism in art. --- Signs and symbols. --- Symbolism.
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Searching for the philosophers’ stone in the pursuit of transmutation and immortality; harnessing the properties of the natural world to cast magic spells; seeking visionary experiences to connect with the spiritual world; conjuring demons to enact our desires; using the tarot and astrology to divine the future – the quest to understand the mysteries of the universe and to tap into its powers has fuelled manifold occult philosophies from the early esoteric traditions of the ancient Egyptians to the practices of modern occultists. For hundreds of years, occult – or hidden – knowledge has been recorded in esoteric manuscripts, enshrined in illustrated grimoires, inscribed in stelae, incorporated in cryptic paintings and embodied in arcane ritual objects. Delve within these pages and pore over myriad intricate images, ornate manuscripts and intriguing ritual objects, and discover the meaning concealed within the secret ciphers, mysterious symbols and covert rituals of the occult.
Semiotics. --- Occultism --- Culture visuelle. --- Sémiotique et culture. --- Occultisme --- Semiotics --- Sémiotique. --- Occultism in art.
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22.06 --- Bijbel: exegese; hermeneutiek --- Religion and science. --- Bible --- Criticism, interpretation, etc. --- Religion et sciences
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This collection of essays honours Marsilio Ficino (1433-1499) as a Platonic philosopher. Ficino was not the first translator of Plato in the Renaissance, but he was the first to translate the entire corpus of Platonic works, and to emphasise their relevance for contemporary readers. The present work is divided into two sections: the first explores aspects of Ficino’s own thought and the sources which he used. The second section follows aspects of his influence in the sixteenth and seventeenth centuries. The papers presented here deepen and enrich our understanding of Ficino, and of the philosophical tradition in which he was working, and they offer a new platform for future studies on Ficino and his legacy in Renaissance philosophy. Contributors include: Unn Irene Aasdalen, Constance Blackwell, Paul Richard Blum, Stephen Clucas, Ruth Clydesdale, Brian Copenhaver, John Dillon, Peter J. Forshaw, James Hankins, Hiro Hirai, Sarah Klitenic Wear, David Leech, Letizia Panizza, Valery Rees, and Stéphane Toussaint.
Ficino, Marsilio, --- Geschichte 1500-1700. --- Neoplatonism. --- Philosophy, Renaissance. --- Ficin, Marsile, --- Fichino, Marsiliĭ, --- Fichino, Marsilio, --- Ficinus, Marsilius, --- Ficino, Marcilio, --- Feghinensis, Marsilius, --- Фичино, Марсилио, --- Philosophy, Renaissance
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Few fields of academic research are surrounded by so many misunderstandings and misconceptions as the study of Western esotericism. For twenty years now, the Centre for History of Hermetic Philosophy and Related Currents (University of Amsterdam) has been at the forefront of international scholarship in this domain. This anniversary volume seeks to make the modern study of Western esotericism known beyond specialist circles, while addressing a range of misconceptions, biases, and prejudices that still tend to surround it. Thirty major scholars in the field respond to questions about a wide range of unfamiliar ideas, traditions, practices, problems, and personalities that are central to this area of research. By challenging many taken-for-granted assumptions about religion, science, philosophy, and the arts, this volume demonstrates why the academic study of esotericism leads us to reconsider much that we thought we knew about the story of Western culture.
Occultism. --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Occultism --- Supernatural --- New Age movement --- Parapsychology --- Spirituality. --- Western esotericism. --- Esoteric sciences --- Western world
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