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Art, Modern --- Painting, Belgian --- Engraving --- Hanselaar, Marcelle,
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In het fotoboek 'Exactitudes' (samentrekking van exact en attitudes) portretteren fotograaf Ari Versluis en styliste Ellie Uyttenbroek qua kleding, kapsel en houding sterk op elkaar lijkende groepen mensen (voornamelijk uit Rotterdam, verder uit Casablanca, Rio de Janeiro en Peking) die via dit uiterlijk hun identiteit uitdragen. Al sinds 1994 maken de twee 'foto-antropologen' dit soort groepsportretten. In dit fotoboek staan 58 pagina's met steeds twaalf foto's van een groep mensen met dezelfde kledingcode en haardracht. Chronologisch, met de meest recente groep ('hoedjesmannen' uit 2002) voorin en de oudste foto's (gabbers uit 1994) achterin. Met foto's van o.a. bimbo's, oma's in regenjassen, gothics, uitsmijters, corpsballen, combat-girls, eco-punks, slagers, leernichten, preppies, Chinese rockers, moslima's, dreads, hanenkammen en 'mevrouwen'. De zeer summiere tekst, op iedere pagina staat de groepsnaam en achterin worden de groepen bij de foto's in postzegelformaat met een aantal trefwoorden nader geduid, is Engelstalig. Boek behorende bij overzichtstentoonstelling (22 december 2001 t/m 2 februari 2002).
Portrait photography --- 761.2 --- Kleding --- Levensstijl --- Mode --- #SBIB:316.7C210 --- Photography --- Portraiture --- (zie ook: sportkleding) --- Cultuursociologie: kunst: algemeen --- Portraits --- Photographie --- Portrait --- Stylisme --- Uyttenbroek, Ellie --- Versluis, Ari
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photography [process] --- fotografie --- Photography --- Museum Boymans-van Beuningen [Rotterdam] --- 77.036 --- Architectuurfotografie --- Nederland --- Rotterdam --- architectuur --- musea --- naslagwerk --- twintigste eeuw --- verzamelingen --- 760.5 --- 761 --- 762 --- Ader, Bas Jan --- Castelli, Luciano --- Coplans, John --- Dekkers, Ger --- Dibbets, Jan --- Elenbaas, Wally --- Förg, Gunther --- Gilbert & George --- Gober, Robert --- Lawler, Louise --- Museum Boymans-van Beuningen --- Oppenheim, Dennis --- Prina, Stephen --- Prince, Richard --- Robbins, David --- Sherman, Cindy --- Struth, Thomas --- Sugimoto, Hiroshi --- Van Elk, Ger --- Van Lamsweerde, Inez --- Welling, James --- de Ruijter, Gerco --- van Golden, Daan --- van Rest, Charlie --- van der Kraan, Helena --- fotografie, verzamelen - musea - tentoonstellingen --- fotografie, geschiedenis --- fotografie, theorethische grondslagen der fotografie --- Museum Boijmans-van Beuningen, Rotterdam --- Catalogs --- Photograph collections --- Rotterdam (Pays-Bas) --- Photography, Artistic --- Museum Boymans-Van Beuningen --- Rotterdam. --- Musée Boymans-Van Beuningen --- Rotterdam (Netherlands). --- Boimansu Bijutsukan --- Boimansu Fan Būningen Bijutsukan --- Boymans-Van Beuningen Museum --- Museum Boymans --- Museum Boijmans Van Beuningen (Rotterdam, Netherlands) --- museumcollectie
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Tongue' gives a retrospective view on the three-dimensional work of artist Anne-Marie van Sprang (°1960). Through this extensive book the tactile and fragile aspects of her work become visible. The sequences of the book are not ordered chronologically but emerge from the content of her work. Tongue refers to the place within the body where the physical turns into the intellectual. In the same way the conceptual and the physical come together in the work of van Sprang.
73.07 --- 738.07 --- Beeldhouwkunst ; 1987-2016 ; Anne-Marie van Sprang --- Van Srang, Anne-Marie °1960 (°Utrecht, Nederland) --- Beeldhouwkunst ; materialen ; keramiek ; brons ; hout ; was --- Sculpturen ; klein formaat --- Beeldhouwkunst ; beeldhouwers A - Z --- Keramiek ; keramiekkunstenaars, pottenbakkers --- Van Sprang, Anne-Marie --- Exhibitions --- Sprang, Anne-Marie,
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Migration. Refugees --- Art --- installations [visual works] --- migration [function] --- environments [sculpture] --- interactive art --- Tiong, Ang --- Bruyn, de, Dirk --- Kerkhoff, van, Sonja --- Ridgway, Renée --- Struik, Rudi --- Bade, David
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Lee Miller (1907-1977) had many lives: she was a model, muse, photographer, war correspondent and Surrealist chef. It is well known that she was 'discovered' on the street at nineteen and that her face appeared on the cover of Vogue a few months later, that she inspired numerous famous illustrators, photographers and artists, and that she flouted convention by picking up a camera and making a name for herself with seductive fashion photos, Surrealist experiments and penetrating war reports.
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