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Film --- United States --- Western films --- Westerns --- History and criticism --- Histoire et critique --- Charles Ford --- film --- filmgeschiedenis --- filmgenres --- westerns --- Verenigde Staten --- geschiedenis --- Far West --- film en literatuur --- literatuur --- Grey Zane --- Harte Bret --- Marshall George --- Sherman George --- Fregonese Hugo --- Stevens George --- Mann Anthony --- Hopper Jerry --- Wyler William --- Dmytryk Edward --- Sturges John --- Ray Nicholas --- Ritt Martin --- Silverstein Elliot --- Aldrich Robert --- Leone Sergio --- Hill George Roy --- Ford John --- 791.43 --- 780 --- cinéma histoire --- USA cinéma --- dans, toneel, film --- danse, théâtre, cinéma --- United States of America

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This analytical study explains how Mozart's music for Le Nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart did not merely interpret Da Ponte's characterisations but lent them temporal, musical forms. Charles Ford's analysis presents a new method by which to relate the music of the operas to the thinking of the European Enlightenment, involving close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuali

Sex in music. --- Opera --- Sexuality in music --- Music --- Mozart, Wolfgang Amadeus, --- Romberg, Andreas, --- E-books --- Così fan tutte --- Don Giovanni --- Figaro --- Mozart, Wolfgang Amadeus

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Motion pictures --- Hollywood (Los Angeles, Calif.)

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