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Decorative arts, Medieval --- Decorative arts, Renaissance --- Sculpture --- Applied arts. Arts and crafts --- sculpture [visual works] --- private collections --- enamels [visual works] --- tapestries --- art collections --- maiolica --- Fondation Gandur pour l'art [Geneva] --- anno 1200-1799 --- anno 1100-1199 --- private collections [object groupings]
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A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York pop art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l'Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Erró, Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, Stämpfli, Télémaque and Voss, to name a few.
Artiste --- Art et politique --- Art figuratif --- Détournement d'image --- Peinture --- Peinture figurative --- Monory, Jacques --- Adami, Valerio --- Aillaud, Gilles --- Arroyo, Eduardo --- Bertholo, René --- Bertini, Gianni --- Cronica, Equipo --- Cueco, Henri --- Erro --- Klasen, Peter --- Rancillac, Bernard --- Recalcati, Antonio
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Catalogue d'une centaine d'objets égyptiens en bronze, cuivre, argent et or provenant des collections de la Fondation Gandur pour l'art de Genève. Chaque pièce fait l'objet d'une notice détaillant les techniques utilisées, la provenance et l'intérêt artistique. Précédé de deux études sur la fabrication et l'utilisation de ces objets, ainsi que sur les particularités de la collection.
Bronzes --- Art metal-work --- Art and society --- Arts du métal --- Art et société --- Fondation Gandur pour l'art --- Catalogs --- Bronzes, Ancient --- Arts du métal --- Art et société --- Bronzes, Ancient - Egypt - Catalogs
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Cette exposition confronte les représentations de la figure humaine ainsi que celles de la spiritualité à travers les différents arts de l'Antiquité. Les archives de l'égyptologue genevois Edouard Naville sont également mises en lumière.
Archaeological museums and collections --- Art --- Sculpture, Ancient --- Archéologie --- Sculpture antique --- History --- Collectors and collecting --- Musées et collections --- Histoire --- Collectionneurs et collections --- Geneva (Switzerland). --- Archéologie --- Musées et collections --- History. --- Sculpture --- art history --- archaeographies --- Mediterranean countries --- antieke beeldhouwkunst
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Art styles --- Painting --- Abstract [modern European style] --- easel paintings [paintings by form] --- Fondation Gandur pour l'art [Geneva] --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- Paris
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Fruit de la collaboration d'une centaine de chercheurs, ce livre évoque ce que fut Alexandrie dans l'Antiquité : le centre des échanges intellectuels, culturels et religieux entre les civilisations antiques, de l'Empire romain à l'Inde. Il fait aussi la belle part à l'ouverture aux influences extérieures (Inde, Egypte, Babylone, etc.), souvent oubliées par l'historiographie traditionnelle. ©Electre 2015
Manuscripts --- Manuscrits --- Exhibitions --- Expositions --- Alexandria (Egypt) --- Alexandrie (Egypte) --- Antiquities --- Intellectual life --- History --- Antiquités --- Vie intellectuelle --- Histoire --- Antiquités --- Exhibitions.
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