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Croisades [Art du temps des ] --- Crusader art --- Kruistochten [Kunst van de tijd van de ] --- Christian art and symbolism --- Art --- Art et symbolisme chrétiens --- 091.31 --- 091 <569.4 ACRE> --- 7.033 --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Art, Medieval --- Verluchte handschriften --- Handschriftenkunde. Handschriftencatalogi--Israël--ACRE --- Kunststijlen van de Middeleeuwen --- Crusader art. --- -Verluchte handschriften --- 7.033 Kunststijlen van de Middeleeuwen --- 091 <569.4 ACRE> Handschriftenkunde. Handschriftencatalogi--Israël--ACRE --- 091.31 Verluchte handschriften --- -Art, Medieval --- Art, Christian --- -7.033 Kunststijlen van de Middeleeuwen --- Art et symbolisme chrétiens --- Religious art --- Medieval, 500-1500 --- Latin Orient --- Christian art and symbolism - Medieval, 500-1500 - Latin Orient. --- Symbolism in art --- Middle Ages, 500-1500

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Christian art and symbolism --- Crusader art --- 091 <569.4 ACRE> --- 7.033 --- 091 <569.4 ACRE> Handschriftenkunde. Handschriftencatalogi--Israël--ACRE --- Handschriftenkunde. Handschriftencatalogi--Israël--ACRE --- Art, Medieval --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- 7.033 Kunststijlen van de Middeleeuwen --- Kunststijlen van de Middeleeuwen

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The Virgin and Child Hodegetria was a widely venerated Byzantine image depicting the Virgin holding and pointing to her son as the way to salvation. In this book, Jaroslav Folda traces the appropriation of this image by thirteenth-century Crusader and central Italian painters, where the Virgin Mary is transformed form the human mother of God, the "Theotokos", of Byzantine icons, to the resplendent Madonna radiant in her heavenly home with Christ and the angels. This transformation, Folda demonstrates, was brought about by using chrysography, or golden highlighting, which came to be used on both the Virgin and Child. This book shows the important role played by Crusader painters in bringing about this shift and in disseminating the new imagery to central Italy. By focusing on the Virgin and Child Hodegetria, Folda reveals complex artistic interchanges and influences extending across the Mediterranean from Byzantium and the Holy Land to Italy.

Panel painting, Italian --- Panel painting, Medieval --- Icon painting. --- Hodegetria. --- Gold in art. --- Peinture sur panneau italienne --- Peinture sur panneau médiévale --- Peinture d'icônes --- Hodigitria --- Or dans l'art --- Byzantine influences --- Influence byzantine --- Icon painting --- Hodegetria --- Gold in art --- Panel painting, Italian - Italy, Central - 13th century - Byzantine influences