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Recreation. Games. Sports. Corp. expression --- anno 1900-1999

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As individuals incorporate new forms of media into their daily routines, these media transform individuals' engagement with networks of heterogeneous actors. Using the concept of media practices, this volume looks at processes of social and political transformation in diverse regions of the world to argue that media change and social change converge on a redefinition of the relations of individuals to larger collective bodies. To this end, contributors examine new collective actors emerging in the public arena through digital media or established actors adjusting to a diversified communication environment. The book offers an important contribution to a vibrant, transdisciplinary, and international field of research emerging at the intersections of communication, performance and social movement studies.

Mass media --- Social movements. --- Performative (Philosophy) --- Political aspects. --- Social aspects. --- Médias --- Mouvements sociaux --- Performatif. --- Aspect politique --- Aspect social --- Community organization --- Mass communications --- Médias et politique --- Mouvements sociaux. --- Performative (Philosophy). --- Médias et politique. --- Aspect social.

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Art

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This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.

Theater --- rievocazione storica --- storia della danza e dell'arte --- performance teatrale --- rievocazione come strategia di appropriazione --- reconstitution --- histoire de la danse et de l'art --- représentation théâtrale --- la reconstitution comme stratégie d'appropriation --- reenactment --- history of dance and art --- theatrical performance --- reenactment as a strategy of appropriation

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Social sciences (general)