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dit boek gaat over een deelaspect van de Belgische wooncultuur in de naoorlogse jaren: de voorlichtingsinitiatieven die bedoeld waren om de ontwikkeling van de wooncultuur te bevorderen; er werd geijverd voor een 'betere' vorm van wonen; niet alleen vanuit de culturele sector (zoals het Gentse museum voor sierkunst) maar ook vanuit de overheid en enkele socio-culturele verenigingen gingen emanciperende acties met woonvoorlichting uit; dit boek biedt een overzicht van die initiatieven tussen het einde van de WO II en de expo 1958.

Architecture --- anno 1940-1949 --- anno 1950-1959 --- Belgium --- Housing --- Architecture, Domestic --- Logement --- Architecture domestique --- Exhibitions. --- Expositions --- woninginrichting --- fifties --- België --- tentoonstellingen --- wooncultuur --- architectuur 20e eeuw --- woningen --- 728 --- burgerlijke architectuur, woonhuizen --- Exhibitions --- Affordable housing --- Homes --- Houses --- Housing needs --- Residences --- Slum clearance --- Urban housing --- City planning --- Dwellings --- Human settlements --- Architecture, Rural --- Domestic architecture --- Home design --- One-family houses --- Rural architecture --- Villas --- Social aspects --- 3de kwart 20ste eeuw --- Museology --- Housekeeping --- interior design --- exhibitions [events] --- 728(091)(493) --- Wooncultuur ; naoorlogse ; België ; 20ste eeuw --- Woonmodellen --- Ontwerpers ; tentoonstellingen ; musea ; 20ste eeuw --- Modernisme --- Woningbouw ; geschiedenis ; België

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In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the essays in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of essays examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some essays squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.

furniture --- diplomacy --- International relations. Foreign policy --- Applied arts. Arts and crafts --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- Furniture --- Politics and culture. --- Furniture. --- History --- Styles --- Social aspects. --- 1900-1999. --- Meubles --- Politique et culture --- Histoire --- 747 --- 747.036 --- 747.5 --- interieurarchitectuur --- interieurinrichting --- interieurvormgeving --- twintigste eeuw (interieurarchitectuur) --- 20ste eeuw (interieurarchitectuur) --- publieke interieurs --- 7.03 --- 930.8 --- 008 --- 749.037 --- 749.038 --- Interieurarchitectuur --- Interieurinrichting --- Interieurvormgeving --- Twintigste eeuw (interieurarchitectuur) --- Publieke interieurs --- Kunstgeschiedenis --- Cultuurgeschiedenis --- Cultuur (geschiedenis) --- Culturele identiteit --- Cultuur --- Meubelkunst en design ; 1900 - 1950 --- Meubelkunst en design ; 1950 - 2000 --- Social aspects --- Aspect social --- Interieurarchitectuur . als politieke en sociale communicatie ; 1945-1975 --- Interieurvormgeving ; in diplomatieke gebouwen ; 20ste eeuw --- Knoll --- Interieurs ; meubelen ; als representatie van de nationale identiteit

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The British architect and author Joseph Grima (Space Caviar), curator of the cultural programme of INTERIEUR 2014, will confront visitors of the Biennale with an investigation into the essence and meaning of our home, titled 'The home does not exist'. The booklet 'The home does not exist' is a bundle of texts and ideas in response to a cross-campus workshop at the Biennale.