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Fiction --- English literature --- anno 1800-1999 --- English fiction --- History and criticism --- -English literature --- -History and criticism --- English fiction - History and criticism
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Non-fiction --- English literature --- anno 1800-1999 --- Figures of speech --- Self in literature --- Authorship --- Autobiographical fiction, English --- Autobiography --- English prose literature --- Psychological aspects --- History and criticism --- England --- Biography --- History --- -Autobiography --- -Figures of speech --- -Authoring (Authorship) --- Writing (Authorship) --- Literature --- English language --- Imagery --- Speech, Figures of --- Tropes --- Rhetoric --- Symbolism --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- English autobiographical fiction --- English fiction --- Technique --- -History. --- -History and criticism --- -English language --- Authoring (Authorship) --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- History. --- Authorship - Psychological aspects --- Autobiographical fiction, English - History and criticism --- English prose literature - History and criticism --- England - Biography - History
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791.43.01 --- 82:791.43 --- Motion pictures --- Motion pictures and literature --- Narration (Rhetoric) --- #SBIB:309H523 --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmologie. Filmtheorie. Esthetica van de film --- Literatuur en film --- Audiovisuele communicatie: verhaalanalyse --- History and criticism --- 82:791.43 Literatuur en film --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film
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It is well known that George Eliot's intelligence and her wide knowledge of literature, history, philosophy and religion shaped her fiction, but until now no study has followed the development of her thinking through her whole career. This intellectual biography traces the course of that development from her initial Christian culture, through her loss of faith and working out of a humanistic and cautiously progressive world view, to the thought-provoking achievements of her novels. It focuses on her responses to her reading in her essays, reviews and letters as well as in the historical pictures of Romola, the political implications of Felix Holt, the comprehensive view of English society in Middlemarch, and the visionary account of personal inspiration in Daniel Deronda. This portrait of a major Victorian intellectual is an important addition to our understanding of Eliot's mind and works, as well as of her place in nineteenth-century British culture.
Intellectuals --- Novelists, English --- Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Knowledge --- History. --- Literature. --- Philosophy. --- Political and social views. --- Religion. --- Arts and Humanities --- Literature
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Elite (Social sciences) --- Social classes --- High technology --- Social change --- Popular culture --- High tech --- Technology --- Social aspects --- United States --- Social conditions
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ROMAN HISTORIQUE (GENRE LITTERAIRE) ANGLAIS --- SCOTT (WALTER, SIR), 1771-1832 --- DICKENS (CHARLES), 1812-1870 --- THACKERAY (WILLIAM MAKEPEACE), 1811-1863 --- ELIOT (GEORGE), 1819-1880 --- PATER (WALTER), 1839-1864 --- HARDY (THOMAS), 1840-1928 --- CONRAD (JOSEPH), 1857-1924 --- WOOLF (VIRGINIA), 1882-1941 --- HISTOIRE ET CRITIQUE --- CRITICISM
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