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Defining the proper female body, seeking elective surgery for beauty, enjoying lavish spa treatments, and combating impotence might seem like today's celebrity infatuations. However, these preoccupations were very much alive in the early modern period. Valeria Finucci recounts the story of a well-known patron of arts and music in Renaissance Italy, Duke Vincenzo Gonzaga of Mantua (1562-1612), to examine the culture, fears, and captivations of his times. Using four notorious moments in Vincenzo's life, Finucci explores changing concepts of sexuality, reproduction, beauty, and aging. The first was Vincenzo's inability to consummate his earliest marriage and subsequent medical inquiry, which elucidates new concepts of female anatomy. Second, Vincenzo's interactions with Bolognese doctor Gaspare Tagliacozzi, the "father of plastic surgery," illuminate contemporary fascinations with elective procedures. Vincenzo's use of thermal spas explores the proliferation of holistic, noninvasive therapies to manage pain, detoxify, and rehabilitate what the medicine of the time could not address. And finally, Vincenzo's search for a cure for impotence later in life analyzes masculinity and aging. By examining letters, doctors' advice, reports, receipts, and travelogues, together with (and against) medical, herbal, theological, even legal publications of the period, Finucci describes an early modern cultural history of the pathology of human reproduction, the physiology of aging, and the science of rejuvenation as they affected a prince with a large ego and an even larger purse. In doing so, she deftly marries salacious tales with historical analysis to tell a broader story of Italian Renaissance cultural adjustments and obsessions.
traditional medicine --- medicine [discipline] --- Gonzaga, Vincenzo [Duke of Mantua] --- Medicine, Medieval --- Human body --- Renaissance --- Medicine --- Aging --- Rejuvenation --- Beauty, Personal --- Human reproduction --- Human physiology --- Reproduction --- Reproductive health --- Reproductive rights --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Endocrinology --- Organotherapy --- Youthfulness --- Age --- Ageing --- Senescence --- Developmental biology --- Gerontology --- Longevity --- Age factors in disease --- Health Workforce --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Body, Human --- Human beings --- Body image --- Human anatomy --- Mind and body --- Medieval medicine --- Social aspects --- History. --- History --- Physiological effect --- Vincenzo --- Gonzaga, Vincenzo, --- Vincenzo Gonzaga, --- Health.
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Thematology --- Sociology of literature --- Psychological study of literature --- Genealogy. Heraldy
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Drawing on a variety of psychoanalytic approaches, ten critics engage in exciting discussions of the ways the "inner life" is depicted in the Renaissance and the ways it is shown to interact with the "external" social and economic spheres. Spurred by the rise of capitalism and the nuclear family, Renaissance anxieties over changes in identity emerged in the period's unconscious--or, as Freud would have it, in its literature. Hence, much of Renaissance literature represents themes that have been prominent in the discourse of psychoanalysis: mistaken identity, incest, voyeurism, mourning, and the uncanny. The essays in this volume range from Spenser and Milton to Machiavelli and Ariosto, and focus on the fluidity of gender, the economics of sexual and sibling rivalry, the power of the visual, and the cultural echoes of the uncanny. The discussion of each topic highlights language as the medium of desire, transgression, or oppression. The section "Faking It: Sex, Class, and Gender Mobility" contains essays by Marjorie Garber (Middleton), Natasha Korda (Castiglione), and Valeria Finucci (Ariosto). The contributors to "Ogling: The Circulation of Power" include Harry Berger (Spenser), Lynn Enterline (Petrarch), and Regina Schwartz (Milton). "Loving and Loathing: The Economics of Subjection" includes Juliana Schiesari (Machia-velli) and William Kerrigan (Shakespeare). "Dreaming On: Uncanny Encounters" contains essays by Elizabeth J. Bellamy (Tasso) and David Lee Miller (Jonson).
Thematology --- Comparative literature --- Psychological study of literature --- anno 1500-1599 --- anno 1600-1699 --- English literature --- Psychoanalysis and literature. --- Desire in literature. --- Renaissance --- History and criticism. --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature
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