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"Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across texts as disparate as chronicles, parliamentary proceedings, diplomatic correspondence, ballads, poetry, and drama, this study reveals hitherto unexplored tensions within these texts, generated by embedded narratives and their implications"--
Queens --- English literature --- Politics and literature --- Political poetry, English --- Historiography --- Queens in literature --- Grande-Bretagne --- --Histoire --- --XVe s., --- Plantagenet --- --Reine --- --Biographie --- --Historiographie --- --Littérature anglaise --- --Politique --- --Politique et gouvernement --- --Poésie --- --Genre --- --Biography --- History and criticism --- History --- Plantagenet, House of --- Great Britain --- Politics and government --- Queens - Great Britain - Biography - History and criticism --- English literature - Middle English, 1100-1500 - History and criticism --- English literature - Early modern, 1500-1700 - History and criticism --- Politics and literature - Great Britain - History - To 1500 --- Politics and literature - Great Britain - History - 16th century --- Political poetry, English - History and criticism --- Historiography - Great Britain - History - 16th century --- Histoire --- XVe s., 1401-1500 --- Reine --- Biographie --- Historiographie --- Littérature anglaise --- Politique --- Politique et gouvernement --- Poésie --- Genre --- Great Britain - History - Lancaster and York, 1399-1485 - Historiography --- Great Britain - Politics and government - 1399-1485
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Of Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.
History. --- Theater --- Europe --- Literature --- Literature, Modern. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- History of Early Modern Europe. --- Literary History. --- Early Modern/Renaissance Literature. --- Gender Studies. --- Theatre History. --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Modern literature --- Arts, Modern --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Annals --- Auxiliary sciences of history --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- History—1492-. --- History and criticism. --- Psychological aspects --- Appraisal --- Evaluation --- Shakespeare, William, --- Characters --- Queens. --- Šekspir, Vil'jam --- Europe-History-1492-. --- Literature-History and criticism. --- Theater-History. --- Europe—History—1492-. --- Literature—History and criticism. --- Theater—History. --- European literature --- Sex. --- Early Modern and Renaissance Literature. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Sexology --- Literature, Renaissance --- Renaissance literature --- Literature, Modern --- Gay culture Europe --- History --- 1492-. --- Renaissance, 1450-1600.
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The typical vision of the Middle Ages western popular culture represents to its global audience is deeply Eurocentric. The Lord of the Rings and Game of Thrones imagined entire medievalist worlds, but we see only a fraction of them through the stories and travels of the characters. Organised around the theme of mobility, this Element seeks to deconstruct the Eurocentric orientations of western popular medievalisms which typically position Europe as either the whole world or the centre of it, by making them visible and offering alternative perspectives. How does popular culture represent medievalist worlds as global-connected by the movement of people and objects? How do imagined mobilities allow us to create counterstories that resist Eurocentric norms? This study represents the start of what will hopefully be a fruitful and inclusive conversation of what the Middle Ages did, and should, look like.
Middle Ages in popular culture. --- Medievalism. --- Civilization, Medieval --- Middle Ages --- Popular culture
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Of Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.
Sociology of the family. Sociology of sexuality --- Sociology --- Theatrical science --- Literature --- History --- History of Europe --- nieuwste tijd --- sociologie --- theater --- geschiedenis --- literatuur --- moederschap --- gender --- literatuurgeschiedenis --- Europese geschiedenis --- Renaissance --- nieuwe tijd --- anno 1400-1499 --- anno 1500-1599 --- Europe
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