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Photography --- motion pictures [visual works] --- Orozco, Gabriel --- anno 1900-1999 --- anno 2000-2099 --- Mexico
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Elephants --- Painting --- Acrylic painting --- Wildlife conservation --- Eléphants --- Peinture --- Peinture acrylique --- Faune --- Technique --- Technique --- Protection
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Celebrating the 50th anniversary of the Apollo 11 mission, Apollo's Muse honors the rich history of photographic representations of the moon, from rarely seen early daguerreotypes to contemporary video art. Engaging and accessible, the book explores how photographers captured this celestial body-and how the images have in turn inspired artists, writers, and scientists. The book's wide-ranging focus includes extraordinary reproductions of the first successful series of lunar daguerreotypes by the American photographer John Adams Whipple, along with film stills from Voyage dans la Lune (1902) by Georges Melies; American "paper moon" studio portraits; images from the Apollo mission; and works by contemporary artists, including Vija Celmins, Roy Lichtenstein, Aleksandra Mir, Vik Muniz, Nam June Paik, and Robert Rauschenberg. Related prints, drawings, paintings, and astronomical instruments explore artists' fascination with the moon, as an object of both art and science. A foreword by actor Tom Hanks, star of the award-winning 1995 film Apollo 13, outlines the importance of lunar images to art and cinema, reinforcing the universal fascination with representations of the cosmos. Exhibition: The Metropolitan Museum of Art, New York, USA (01.07-22.09.2019)
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iPhone (Smartphone) --- Drawing --- Photography, Artistic --- Drawing from photographs --- Art and photography
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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website
photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux. --- Effets spéciaux.
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