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expressionisme --- grafiek --- Wereldoorlog I --- Die Brücke (1905-1913) --- Dood --- dans --- Der Blaue Reiter --- menselijk lichaam --- religieuze iconografie --- natuur --- stadsleven --- seksualiteit --- portretten --- 20ste eeuw --- Duitsland --- Oostenrijk --- 76.037(430) --- 75.037(430) --- Grafiek ; Duitsland ; Oostenrijk ; 1ste helft 20ste eeuw --- Grafiek ; Duits Expressionisme ; Die Brücke --- Museumcatalogi ; New York ; MOMA --- Grafische kunst ; 1900 - 1950 ; Duitsland --- Schilderkunst ; 1900 - 1950 ; Duitsland --- Exhibitions --- Expressionism (Art) --- Prints, German --- Prints --- Fine prints --- Graphic arts --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- Der Blaue Reiter (1911-1914) --- dansen --- Die Brücke --- expressionisme. --- Wereldoorlog I. --- Die Brücke. --- Dood. --- dansen. --- Der Blaue Reiter (1911-1914). --- menselijk lichaam. --- religieuze iconografie. --- natuur. --- stadsleven. --- seksualiteit. --- portretten. --- 20ste eeuw. --- Duitsland. --- Oostenrijk.
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Freud, Lucian --- etsen (prenten) --- 76.07 --- 76.038 --- 762 --- (069) --- Grafiek ; etsen ; 1945-2006 ; Lucian Freud --- Freud, Lucian 1922-2011 (°Berlijn, Duitsland) --- Nieuw Realisme --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst --- grafiek --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Freud Lucian --- etskunst --- 76.071 --- 76 FREUD, LUCIAN --- Grafische kunst ; grafische kunstenaars A-Z --- Grafische kunst ; 1950 - 2000 --- Grafische kunst ; diepdruktechnieken --- (Musea. Collecties. Tentoonstellingen) --- Grafische kunsten. Grafiek. Prentkunst--FREUD, LUCIAN --- Exhibitions --- 76 FREUD, LUCIAN Grafische kunsten. Grafiek. Prentkunst--FREUD, LUCIAN --- etsen (prenten). --- Freud, Lucian.
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primitivisme --- techniek --- Gauguin, Paul --- Exhibitions --- primitivisme. --- techniek. --- Gauguin, Paul.
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Graphic arts --- prentkunst --- Deborah Wye ; with texts by Starr Figura, Judith Hecker, Raimond Livasgani [et al.] --- kunst --- twintigste eeuw --- grafiek --- musea --- MoMA --- Museum of Modern Art New York --- collecties --- boeken --- Bonnard Pierre --- Vuillard Edouard --- de Toulouse-Lautec Henri --- Cézanne Paul --- Degas Edgar --- Gauguin paul --- Munch Edvard --- Redon Odilon --- negentiende eeuw --- Ensor James --- Klee Paul --- Kokoschka Oskar --- Kirchner Ernst Ludwig --- Heckel Erich --- Pechstein Max --- Nolde Emil --- Schmidt-Rottluff KArl --- Corinth Lovis --- Feininger Lyonel --- Braque Georges --- Giacometti Alberto --- Delaunay-Terk Sonia --- Léger Fernand --- Derain André --- Flight Claude --- Power Christopher --- Villon Jacques --- Morandi Giorgio --- Rozanava Olga --- Goncharova Natalia --- Malevich Kazimir --- Rodchenko Alexander --- Lissitzky El --- Moholy-Nagy Laszlo --- Kandinsky Wassily --- Chagall Marc --- Rouault Georges --- Beckmann Max --- Dix Otto --- Kollwitz Käthe --- Duchamp Marcel --- Schwitters Kurt --- Ernst Max --- Dali Salvador --- Masson André --- Arp Hans --- Arp Jean --- Hayter Stanley William --- Miro Joan --- Matisse Henri --- Picasso Pablo --- Bellows George --- Hopper Edward --- Sheeler Charles --- Marin John --- Sloan John --- Prendergast Maurice --- Davis Stuart --- Posada José Guadalupe --- Orozco José Clemente --- Rivera Diego --- Siqueiros David --- Smith David --- Pollock Jackson --- Motherwell Robert --- Gottlieb Adolph --- de Kooning Willem --- Newman Barnett --- Dubuffet Jean --- Fautrier Jean --- Wols --- Schulze Alfred Otto Wolfgang --- Alechinsky Pierre --- Jorn Asger --- Tapiès Antoni --- Bontecou Lee --- Gego --- Goldschmidt Gertrude --- Frankenthaler Helen --- Diebenkorn Richard --- Francis Sam --- Rainer Arnulf --- Rauschenberg Robert --- Oldenbrug Claes --- Rivers Larry --- Johns Jasper --- Dine Jim --- Warhol Andy --- Indiana Robert --- Rosenquist James --- Lichtenstein Roy --- Ruscha Edward --- Paolozzi Eduardo --- Hamilton Richard --- Hockney david --- Polke Sigmar --- Roth Dieter --- Richter Gerhard --- Beuys Joseph --- Broodthaers Marcel --- Bochner Mel --- Darboven Hanne --- Artschwager Richard --- Baldessari John --- Nauman Bruce --- Labers Josef --- Shapiro Joel --- Kelly Ellsworth --- LeWitt Sol --- Palermo Blinky --- Mangold Robert --- Heisterkamp Peter --- Judd Donald --- Serra Richard --- Stella Frank --- Marden Brice --- Baselitz Georg --- Penck A.R. --- Winckler Ralph --- Immendorf Jörg --- Kiefer Anselm --- Hammons David --- Dittborn Eugenio --- Spero Nancy --- Golub Leon --- Frasconi Antonio --- Catlett Elizabeth --- Johnson William H. --- Bearden Romare --- Bourgeois Louise --- Freud Lucian --- Rothenberg Susan --- Clemente Francesco --- Guston Philip --- Murray Elizabeth --- Puryear Martin --- Sikander Shahzia --- Walker Kara --- Cole Willie --- Celmins Vija --- Kentridge William --- Close Chuck --- Katz Alex --- Peyton Elizabeth --- Gober Robert --- Holzer Jenny --- Kruger Barbara --- Gonzalez-Torres Felix --- Halley Peter --- Acconci Vito --- Marclay Christian --- Pettibon Raymond --- Winters Terry --- Dunham Carroll --- Chapman Dinos --- Chapman Jake --- Hirst Damien --- Tuttle Richard --- Smith Kiki --- Ofili Chris --- Pardo Jorge --- Hume Gary --- Sze Sarah --- 76.036 --- 7.078 --- 76.035 --- prints [visual works] --- Prints --- Johnson William H --- Penck A.R --- Fine prints --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA
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Redon, Odilon --- Exhibitions --- Criticism and interpretation --- Redon, Odilon.
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Who was Félix Fénéon ? The first exhibition dedicated to this extraordinarily influential but little-known figure explores how he shaped the development of modernism. A French art critic, editor, publisher, dealer, and collector, Fénéon (1861-1944) championed the careers of young, avant-garde artists from Georges-Pierre Seurat and Paul Signac to Pierre Bonnard and Henri Matisse, among many others. He was also one of the first European collectors of art from Africa and Oceania. A fervent anarchist during a period of gaping economic and social disparities, Fénéon believed in the potential of avant-garde art to promote a more harmonious, egalitarian world.
Art critics --- Art, Modern --- Neo-impressionism (Art) --- Divisionism --- Pointillism --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Critics --- Fénéon, Félix, --- Art collections --- Exhibitions --- Art moderne --- Néo-impressionisme (Art) --- Anarchisme et culture --- Critiques d'art --- Art --- Fénéon, Félix, --- Exposition --- France --- kunstkritiek --- avant-garde --- neo-impressionisme --- etnische kunst --- geschiedenis --- anarchisme --- verzamelaar --- futurisme --- La Revue Blanche (1889-1903) --- Galerie Bernheim-Jeune --- Fénéon, Felix --- Matisse, Henri --- Signac, Paul --- Seurat, Georges --- Cross, Henri-Edmond --- Cousturier, Lucie --- 19de eeuw --- 20ste eeuw --- Afrika --- Art moderne - 19e siècle --- Art moderne - 20e siècle --- Néo-impressionisme (Art) - France --- Critiques d'art - France - 19e siècle --- Critiques d'art - France - 1900-1945 --- Art - France - 19e siècle --- Art - France - 20e siècle --- Fénéon, Félix, - 1861-1944 - Exposition --- Fénéon, Félix, - 1861-1944 - Art - Exposition --- Fénéon, Félix, - 1861-1944 --- kunstkritiek. --- avant-garde. --- neo-impressionisme. --- etnische kunst. --- geschiedenis. --- anarchisme. --- verzamelaar. --- futurisme. --- La Revue Blanche (1889-1903). --- Galerie Bernheim-Jeune. --- Fénéon, Felix. --- Matisse, Henri. --- Signac, Paul. --- Seurat, Georges. --- Cross, Henri-Edmond. --- Cousturier, Lucie. --- 19de eeuw. --- 20ste eeuw. --- Afrika.
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In the early decades of the twentieth century, when many artists were experimenting with the language of abstraction and the leading figures were almost exclusively men, Käthe Kollwitz (German, 1867-1945) achieved unlikely renown for her figurative prints focusing on the hardships of women and the working class. Convinced that printed art was the most effective organ of social criticism, she developed into one of history's most outstanding graphic artists. This catalogue traces the development of Kollwitz's career from the 1890s until her death in 1945, showcasing approximately 120 rarely seen examples of her work in prints, drawings, and sculpture. In addition to highlighting the unprecedented way that Kollwitz asserted the female point of view as a necessary and powerful agent for change, the publication also explores her intensive, eversearching creative process. Essays examine crucial aspects of Kollwitz's art, career, and legacy, including her professional life and connections in Berlin, her groundbreaking approach to the subject of women's grief, and her work's reception in the US. Dans les premières décennies du XXe siècle, alors que de nombreux artistes expérimentaient le langage de l'abstraction et que les figures de proue étaient presque exclusivement des hommes, Käthe Kollwitz (Allemande, 1867-1945) a acquis une renommée inattendue grâce à ses gravures figuratives axées sur les difficultés des femmes et de la classe ouvrière. Convaincue que l'art graphique est le moyen le plus efficace de faire de la critique sociale, elle est devenue l'une des artistes graphiques les plus remarquables de l'histoire. Ce catalogue retrace l'évolution de la carrière de Kollwitz depuis les années 1890 jusqu'à sa mort en 1945, et présente environ 120 exemples rarement vus de son travail en matière d'estampes, de dessins et de sculptures. En plus de mettre en lumière la manière inédite dont Kollwitz a affirmé le point de vue féminin en tant qu'agent nécessaire et puissant du changement, la publication explore également son processus créatif intensif et sans cesse renouvelé. Des essais étudient des aspects cruciaux de l'art, de la carrière et de l'héritage de Kollwitz, notamment sa vie professionnelle et ses relations à Berlin, son approche novatrice du thème du deuil des femmes et la réception de son œuvre aux États-Unis.
Artists --- Artistes --- Kollwitz, Käthe, --- Kollwitz, Käthe --- Drawing, German --- Sculpture, German --- Portrait drawing, German --- Portrait sculpture, German --- Dessin allemand --- Sculpture allemande --- Dessin de portraits allemand --- Sculpture de portraits allemande
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