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Museology --- Iconography --- Art --- restoration [process] --- conservation [discipline] --- museology --- art theory --- materials [substances] --- Brancusi, Constantin --- Tàpies, Antoni --- Turcato, Giulio --- César --- Tinguely, Jean --- LeWitt, Sol --- Cragg, Tony --- Siqueiros, David Alfaro --- Archipenko, Alexander --- Dubuffet, Jean --- Paik, Nam June --- Warhol, Andy --- Stella, Frank --- Gabo, Naum --- Schifano, Mario --- Teshigahara, Sofu --- Duchamp, Marcel --- Newman, Barnett --- Fontana, Lucio --- Rothko, Mark --- Pistoletto, Michelangelo --- Bourgeois, Louise --- Gonzalez-Torres, Felix --- Christo --- Jeanne-Claude --- Pollock, Jackson --- Beuys, Joseph --- Rama, Carol --- Marinetti, Filippo Tommaso --- Miró, Joan --- Moholy-Nagy, László --- Masson, André --- Penone, Giuseppe --- Paolini, Giulio --- Klein, Yves --- Manzoni, Piero --- Saint-Phalle, de, Niki --- Serra, Richard --- Boccioni, Umberto --- Braque, Georges --- Kiefer, Anselm --- Lichtenstein, Roy --- Merz, Mario --- Rauschenberg, Robert --- Pevsner, Antoine --- Bacon, Francis --- Zorio, Gilberto --- Hanson, Duane --- Anselmo, Giovanni --- Boetti, Alighiero --- Calzolari, Pier Paolo --- Flavin, Dan --- Kounellis, Jannis --- Nevelson, Louise --- Burri, Alberto --- Gilardi, Piero --- Noland, Kenneth --- Castellani, Enrico --- Arman --- Martini, Arturo --- Calder, Alexander --- Kaprow, Allan --- anno 1900-1999 --- anno 2000-2099
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Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, this is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.The book takes into account both the material and ethical aspects of contemporary art-focusing on the enormous variety of techniques and materials used by contemporary artists-and its deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling.
Art, Modern --- Art --- Conservation and restoration. --- Conservation and restoration --- Conservation et restauration --- 7.025 --- 7.025 Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- hedendaagse kunst --- Contemporary [style of art] --- conservatie --- preserving --- anno 1900-1999 --- Modern art --- Conservation et restauration. --- Nieuwe Ploeg (Group of artists) --- Art, Modern - 20th century - Conservation and restoration --- Art, Modern - 21st century - Conservation and restoration
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