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film --- Film --- Acting --- Female impersonators. --- Feminism and theater. --- Impersonation. --- Male impersonators. --- Sex role in literature. --- Theater and society. --- Theater --- Transvestism. --- Casting. --- 792 --- 82-2 --- Theater. Theaterwetenschap. Toneel --- Toneel. Drama --- 82-2 Toneel. Drama --- 792 Theater. Theaterwetenschap. Toneel --- Female impersonators --- Feminism and theater --- Impersonation --- Male impersonators --- Sex role in literature --- Theater and society --- Transvestism --- Crossdressing --- Eonism --- Psychosexual disorders --- Casting (Performing arts) --- Actors --- Society and theater --- Cross-dressers (Male impersonators) --- Crossdressers (Male impersonators) --- Drag kings --- Impersonators, Male --- Impersonators of men --- Kings, Drag --- Actresses --- Comedy --- Imitation --- Theater and feminism --- Cross-dressers (Female impersonators) --- Crossdressers (Female impersonators) --- Drag queens --- Impersonators, Female --- Impersonators of women --- Queens, Drag --- Casting --- Production and direction --- Social status --- Social aspects --- 82-2 Drama. Plays --- Drama. Plays --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances --- Paraphilias --- Persons

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This book foregrounds some of the ways in which women playwrights from across a range of contexts and working in a variety of forms and styles are illuminating the contemporary world while also contributing to its reshaping as they reflect, rethink, and reimagine it through their work for the stage. The book is framed by a substantial introduction that sets forth the critical vision and structure of the book as a whole, and an afterword that points toward emerging currents in and expansions of the contemporary field of playwriting by women on the cusp of the third decade of the twenty-first century. Within this frame, the twenty-eight chapters that form the main body of the book, each focusing on a single play of critical significance, together constitute a multifacted, inevitably partial, yet nonetheless integral picture of the work of women playwrights since 2000 as they engage with some of the most pressing issues of our time. Some of these issues include the continuing oppression of and violence against women, people of color, LGBTQ+ people, and ethnic minorities; the ongoing processes of decolonization; the consequences of neoliberal capitalism; the devastation and enduring trauma of war; global migration and the refugee crisis; the turn to right-wing populism; and the impact of climate change, including environmental disaster and species extinction. The book is structured into seven sections: Replaying the Canon; Representing Histories; Staging Lives; Re-imagining Family; Navigating Communities; Articulating Intersections; and New World Order(s). These sections group clusters of plays according to the broad critical actions they perform or, in the case of the final section, the new world orders that they capture through their stagings of the seeming impasse of the politically and environmentally catastrophic global present moment.

Drama --- Drama --- Drama --- Women authors --- History and criticism. --- History and criticism. --- Social aspects