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Journaux intimes. --- Littérature française --- French literature --- Authors, French --- Diaries in literature --- Diary fiction --- Diaries, letters & journals --- Literary studies: from c 1900 --- -Literary studies: fiction, novelists & prose writers --- Journaux intimes. --- History and criticism --- Diaries --- Gide, André --- Queneau, Raymond --- Ernaux, Annie --- Diaries, letters & journals --- Literary studies: from c 1900 --- -Literary studies: fiction, novelists & prose writers
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The use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possible for creation, curating, production and distribution are continually extending. As a consequence, we need to reconsider the way in which these practices are evaluated. Interactive Experience in the Digital Age explores diverse ways of creating and evaluating interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative process as a way of revealing and enhancing their practice. It draws on research methods from other disciplines such as interaction design, human-computer interaction and practice-based research, and adapts them to develop new strategies and techniques for how we reflect upon and assess value in the creation and experience of interactive art. With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.
Digital art --- Interactive art --- Participatory art --- Performance art --- Social practice (Art) --- Art, Computer --- Computer craft --- New media art --- Computer science. --- Information systems. --- Fine arts. --- User Interfaces and Human Computer Interaction. --- Computer Appl. in Arts and Humanities. --- Media Research. --- Fine Arts. --- Informatics --- Science --- User interfaces (Computer systems). --- Application software. --- Communication. --- Sociology. --- Social theory --- Social sciences --- Communication, Primitive --- Mass communication --- Sociology --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- Computer software --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Art. --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Visual --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics
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The use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possible for creation, curating, production and distribution are continually extending. As a consequence, we need to reconsider the way in which these practices are evaluated. Interactive Experience in the Digital Age explores diverse ways of creating and evaluating interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative process as a way of revealing and enhancing their practice. It draws on research methods from other disciplines such as interaction design, human-computer interaction and practice-based research, and adapts them to develop new strategies and techniques for how we reflect upon and assess value in the creation and experience of interactive art. With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.
Human sciences (algemeen) --- Mass communications --- Computer science --- Information systems --- Computer. Automation --- Art --- computers --- informatica --- kunst --- massacommunicatie --- sociale wetenschappen --- cultuurwetenschap --- informatiesystemen --- computerkunde
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"This book provides a complete guide to analyzing literary works, from an introduction of basic principles to the finer details. Separated into three sections, the book covers: Principles - this looks at what literary analysis is, its three main components, the various possible objects of analysis; Main components - introduces nearly thirty aspects of text analysis such as style, themes, social aspects, context, and then continues to introduce nearly fifty approaches such as literary history, ecocriticism, narratology, and sociology; The process of analysis - details the general structure of the analytical text, the structure of a pedagogical essay, the analysis of a theoretical element, possible "plans" for the analytical text, methods of argumentation, statements of opinion, hypotheses, structure of paragraphs, and the use of citations. This book is a synthesis of established scholarship with new, original insights, making it an ideal introduction to the study of English Literature as well as a valuable companion throughout further study"--
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