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Architektonika displays works from both the Friedrich Christian Flick Collection im Hamburger Bahnhof and the Nationalgalerie's own collections as well as selected works on loan, which all draw on architecture through different approaches. Sculptural and photographic works, films and paintings illustrate how differently artists have approached the interface between art and architecture since the 1960s.
7 --- 72 --- 72.078 --- Staatliche Museen zu Berlin --- 72 <064> --- 7.03 --- 7.049 --- 7.039 --- 7.038 --- Thema's in de kunst ; 1960-2013 ; architectuur --- Architectuur ; in de beeldende kunst ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; Berlijn ; Hamburger Bahnhof - Museum für Gegenwart --- Kunst --- Architectuur --- Architectuurtentoonstellingen --- Architectuur. Bouwkunst--Tentoonstellingscatalogi. Museumcatalogi --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 2000 - 2050 --- Kunstgeschiedenis ; 1950 - 2000 --- Exhibitions --- 72 <064> Architectuur. Bouwkunst--Tentoonstellingscatalogi. Museumcatalogi
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Art --- Architecture --- art [discipline] --- architecture [discipline] --- Andre, Carl --- LeWitt, Sol --- Absalon --- Pitz, Hermann --- Albrecht, Jürgen --- Döring, Wolfgang --- Sani, el, Maroan --- Fischer, Nina --- Florschuetz, Thomas --- Hablik, Wenzel August --- Jonas, Walter --- Khedoori, Rachel --- Taut, Bruno --- Leo, Ludwig --- Otto, Frei --- Pinckernelle, Ascan --- Roth, Björn --- Schäfer, Albrecht --- Taanila, Mika --- Roth, Dieter --- Zielony, Tobias --- Bahlo, Dieter --- Heinrichs, Georg --- Pichl, Andrea --- Siegmann, Gerhard --- Wall, Jeff --- Schütte, Thomas --- Graham, Dan --- Douglas, Stan --- Turrell, James --- Calle, Sophie --- Fischli, Peter --- Nauman, Bruce --- Rhoades, Jason --- Sala, Anri --- Weiss, David --- Pernice, Manfred --- Genzken, Isa --- Potrč, Marjetica --- Struth, Thomas --- Ondàk, Roman --- Matta-Clark, Gordon --- Archigram --- anno 1900-1999 --- anno 2000-2099
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), founded in North Carolina in 1933, made it one of the most innovative schools in the first half of the twentieth century. Visual arts, economics, physics, dance, architecture, and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first rector of the school was John Andrew Rice, and Josef Albers, John Cage, Walter Gropius, and Buckminster Fuller were among the many adepts to give courses here. In consequence, BMC witnessed the development of a range of avant-garde concepts. This richly illustrated book appears in conjunction with the Black Mountain exhibition. It is the first comprehensive publication on BMC in the German-speaking world and traces the key moments in the history of this legendary school.
Education, Humanistic --- Arts --- Universities and colleges --- Experimental methods --- History --- Black Mountain College (Black Mountain, N.C.) --- Black mountain college --- Utopie --- Enseignement artistique --- Performance --- Pédagogie --- Cage, John 1912-1992 (°Los Angeles, Californië, Verenigde Staten) --- Albers, Josef 1888-1976 (°Bottrop, Ruhr, Duitsland) --- Albers, Anni (Annelise Else Frieda Fleischmann) 1899-1994 (°Berlijn, Duitsland) --- Fuller, R. Buckminster 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Kunstonderwijs ; didactiek ; methoden --- Experimenteel kunstonderwijs --- Kunstonderwijs ; Asheville ; 1933-1956 ; Black Mountain College --- Black Mountain College ; Asheville, North Carolina --- 373.67.03 --- Onderwijs ; kunst- architectuuronderwijs ; geschiedenis ; jaarboeken ; projecten
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