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In the course of discussing an important fourteenth-century Sienese altarpiece in the Getty collection, Sherwood Fehm considers the possible collaboration of the two Italian painters Niccolò Tegliacci and Luca di Tommè. Through comparison with other works by the two artists, including additional examples from the Getty collection, the author endeavors to isolate the hand of each artist and to attribute the overall design of the altarpiece.
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Art --- History --- painting techniques --- materials [substances] --- technical art history --- congres / 1979
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