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Laudatory poetry, Greek --- History and criticism --- Bacchylides --- Criticism and interpretation --- History and criticism. --- Criticism and interpretation. --- Bacchylide --- Bakchylides --- Bakchulides --- Vakchylidēs --- Bacchilide --- Bακχυλíδης --- Laudatory poetry, Greek - History and criticism --- Bacchylides - Criticism and interpretation

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'Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early 5th century BCE, drawing on case studies to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece.

Greek poetry --- Lyric poetry --- Material culture in literature --- History and criticism --- E-books --- Material culture in literature. --- History and criticism. --- Greek poetry. --- Griechisch. --- Lyric poetry. --- Lyrik. --- Sachkultur. --- Pindarus, --- Griechenland --- Poésie grecque --- Poésie lyrique --- Culture matérielle dans la littérature --- Pindar.

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This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

Drama - Chorus (Greek drama). --- Drama -- Chorus (Greek drama). --- Greek drama (Tragedy) - History and criticism. --- Greek drama (Tragedy) -- History and criticism. --- Greek language - Accents and accentuation. --- Greek language -- Accents and accentuation. --- Greek language - Metrics and rhythmics. --- Greek language -- Metrics and rhythmics. --- Greek poetry - History and criticism - Theory, etc. --- Greek poetry -- History and criticism -- Theory, etc. --- Greek poetry --- Greek language --- Drama --- Greek drama (Tragedy) --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Theory, etc --- History and criticism --- Metrics and rhythmics --- Accents and accentuation --- Chorus (Greek drama) --- Chorus (Drama) --- Greek drama --- Greek literature --- Chorus --- E-books --- Theory, etc. --- Metrics and rhythmics. --- Accents and accentuation. --- History and criticism. --- Drama - Chorus (Greek drama) --- Drama -- Chorus (Greek drama) --- Greek drama (Tragedy) - History and criticism --- Greek drama (Tragedy) -- History and criticism --- Greek language - Accents and accentuation --- Greek language -- Accents and accentuation --- Greek language - Metrics and rhythmics --- Greek language -- Metrics and rhythmics --- Greek poetry - History and criticism - Theory, etc --- Greek poetry -- History and criticism -- Theory, etc --- Archaic Greece. --- Choruses. --- Pan-Hellenism. --- Song Performance. --- Transmission.