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The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living. Paolo S. H. Favero is Associate Professor in Film Studies and Visual Culture at the University of Antwerp, Belgium. A visual anthropologist, he has devoted his career to the study of visual culture in India. His core interest is the role of images (new and old) in human life.
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Sociology of culture --- Political sociology --- Iconography --- Italy
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Art --- Photography --- Film --- visual culture --- India
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The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living. Paolo S. H. Favero is Associate Professor in Film Studies and Visual Culture at the University of Antwerp, Belgium. A visual anthropologist, he has devoted his career to the study of visual culture in India. His core interest is the role of images (new and old) in human life.
Technology and the arts. --- Art and society --- Digital media. --- Visual anthropology. --- Technological innovations. --- Ethnology --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Art --- Art and sociology --- Society and art --- Sociology and art --- Arts and technology --- Arts --- Social aspects --- Ethnology. --- Culture. --- Technology. --- Anthropology. --- Communication. --- Digital/New Media. --- Cultural Anthropology. --- Culture and Technology. --- Media and Communication. --- Communication, Primitive --- Mass communication --- Sociology --- Human beings --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Primitive societies --- Social sciences
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Antropologia visual. --- Cinema documental. --- Cinematografia. --- Comunicació visual. --- Fotografia. --- Participació política. --- Índia.
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Contemporary anthropology is done in a world where social and digital media are playing an increasingly significant role, where anthropological and arts practices are often intertwined in museum and public intervention contexts, and where anthropologists are encouraged to engage with mass media. Because anthropologists are often expected and inspired to ensure their work engages with public issues, these opportunities to disseminate work in new ways and to new publics simultaneously create challenges as anthropologists move their practice into unfamiliar collaborative domains and expose their research to new forms of scrutiny. In this volume, contributors question whether a fresh public anthropology is emerging through these new practices.
Ethnology. Cultural anthropology --- Mass media and anthropology. --- Applied anthropology --- Methodology. --- Philosophy. --- Development anthropology --- Anthropology --- Anthropology and mass media --- #SBIB:39A8 --- #SBIB:39A4 --- #SBIB:309H1016 --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Toegepaste antropologie --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Mass media and anthropology --- Philosophy --- Methodology --- Applied anthropology - Methodology. --- Applied anthropology - Philosophy. --- Applied Anthropology, Media Studies.
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