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In Divided Empire, Robert T. Fallon examines the influence of John Milton's political experience on his great poems: Paradise Lost, Paradise Regained, and Samson Agonistes. This study is a natural sequel to Fallon's previous book, Milton in Government, which examined Milton's decade of service as Secretary for Foreign Languages to the English Republic.Milton's works are crowded with political figures—kings, counselors, senators, soldiers, and envoys—all engaged in a comparable variety of public acts—debate, decree, diplomacy, and warfare—in a manner similar to those who exercised power on the world stage during his time in public office. Traditionally, scholars have cited this imagery for two purposes: first, to support studies of the poet's political allegiances as reflected in his prose and his life; and, second, to demonstrate that his works are sympathetic to certain ideological positions popular in present times.Fallon argues that Paradise Lost is not a political testament, however, and to read its lines as a critique of allegiances and ideologies outside the work is limit the range and scope of critical inquiry and to miss the larger purpose of the political imagery within the poem. That imagery, the author proposes, like that of all Milton's later works, serves to illuminate the spiritual message, a vision of the human soul caught up in the struggle between vast metaphysical forces of good and evil. Fallon seeks to enlarge the range of critical inquiry by assessing the influence of personal and historical events upon art, asking, as he puts it, ";not what the poetry says about the events, but what the events say about the poetry."; Divided Empire probes, not Milton's judgment on his sources, but the use he made of them.
Politics and literature --- History --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Political and social views. --- Literary style. --- MILTON (JOHN), 1608-1674 --- POLITICS AND LITERATURE --- POLITICAL POETRY, ENGLISH --- FIGURES OF SPEECH --- POLITICAL AND SOCIAL VIEWS --- STYLE --- GREAT BRITAIN --- HISTORY --- 17th CENTURY
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The two volumes of Messiaen Perspectives convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen's music. It presents many new primary sources along with performance practice insights and theological inspiration in works as diverse as Visions de l'Amen, Harawi, Timbres-durées and the Méditations. The book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod.
Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- Messiaen, Olivier, --- Messiaen, Olivier, 1908-1992 -- Criticism and interpretation. --- Messiaen, Olivier, 1908-1992.
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