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Anxious Joburg focuses on Johannesburg, the largest and wealthiest city in South Africa, as a case study for the contemporary global south city. Global south cities are often characterised as sites of contradiction and difference that produce a range of feelings around anxiety. This is often imagined in terms of the global north's anxieties about the south: migration, crime, terrorism, disease and environmental crisis. Anxious Joburg invites readers to consider an intimate perspective of living inside such a city. How does it feel to live in the metropolis of Johannesburg: what are the conditions, intersections, affects and experiences that mark the contemporary urban? Scholars, visual artists and storytellers all look at unexamined aspects of Johannesburg life. From peripheral settlements to the inner city to the affluent northern suburbs, from precarious migrants and domestic workers to upwardly mobile young women and fearful elites, Anxious Joburg presents an absorbing engagement with this frustrating, dangerous, seductive city. It offers a rigorous, critical approach to Johannesburg revealing the way in which anxiety is a vital structuring principle of contemporary life. The approach is strongly interdisciplinary, with contributions from media studies, anthropology, religious studies, urban geography, migration studies and psychology. It will appeal to students and teachers, as well as to academic researchers concerned with Johannesburg, South Africa, cities and the global south. The mix of approaches will also draw a non-academic audience.
City and town life --- Johannesburg (South Africa) --- Social conditions. --- City life --- Town life --- Urban life --- Sociology, Urban --- Johannesburg --- Yohanesburg (South Africa) --- Jo'burg (South Africa)
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The essays brought together in this book understand phobia not as a pathology, but as a versatile moral, political, and aesthetic resource – and one with a history. They demonstrate that enquiry into strong feelings of aversion has enabled writers and film-makers to say and show things they could not otherwise have said or shown; and in this way to get profoundly and provocatively to grips with the modern condition. The essays are arranged in such a way as to chart phobia's unfolding as a resource in literature and film since 1850. They pose the question ‘What does phobia know?’ in relation to a range of writers and film-makers: from Dickens, Thackeray, and George Eliot through Hardy, Zola, Joyce, Ford, Mansfield, and Woolf to Tony Harrison and Buchi Emecheta; from Jean Renoir through Hitchcock, Wyler, Kurosawa, and Truffaut to Margarethe von Trotta, Pedro Almodóvar, and Lynne Ramsay. They take issue in particular with the pre-eminent status the concept of trauma has recently acquired in cultural theory and cultural history. In so doing contribute to and re-shape the current preoccupation with ordinariness.
film --- filmgeschiedenis --- Frankrijk --- twintigste eeuw --- filmregisseurs --- Godard Jean-Luc --- 791.471 GODARD --- Godard, Jean-Luc --- Criticism and interpretation. --- Mépris (Motion picture) --- English fiction --- Motion pictures --- History and criticism --- English fiction - History and criticism --- Motion pictures - History and criticism
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