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Theorization of sensual desire was not uncommon in the eighteenth century; like many materialists of the French Enlightenment, Jean-Jacques Rousseau rejected imperatives founded on metaphysical suppositions and viewed the senses as the only valid source of philosophical knowledge. In Social Contract, Masochist Contract, Fayçal Falaky demonstrates that what distinguishes Rousseau is that the foundational measure on which he bases his materialist philosophy is a sexual instinct endowed, paradoxically, with the same sublime, self-abnegating attributes historically associated with Christian, metaphysical desire. To understand the aesthetics of Rousseau's masochism is, Falaky argues, to understand how ideals of Christian morality and spiritual ennoblement survived the Enlightenment, and how God died, only to be repackaged in new fetishes. Whether it is the imperious mistress of his erotic fantasies, the Arcadian nature of his philosophical reveries, or the sublime Law designed to elevate the citizen from enslaving appetite, Rousseau's fetishes herald the new regulative Ideals of the modern secular state.
Masochism. --- Political science --- Political philosophy --- Psychic masochism --- Paraphilias --- Personality disorders --- Sadomasochism --- Suffering --- Philosophy. --- Rousseau, Jean-Jacques, --- Rouseau, Jan Jakub, --- Russo, Zhan Zhak, --- Rousseau, John James, --- Rūssū, Jān Jāk, --- Lu-so, --- Ru-xô, Giăng-Giá̆c, --- Rousseau, Jean Jaques, --- Rousseau, Jean Jeacques, --- Rousseau, J. J. --- Rusō, Jan Jakku, --- Rousseau, Gian Giacomo, --- Ruso, Z'an Z'aḳ, --- Rūcō, --- Citoyen de Genève, --- Citizen of Geneva, --- Roussō, --- Rousseau, --- Rūssō, --- Rousseau, Johann Jacob, --- Руссо, Жан-Жак, --- רוסא, זשאן־זשאק --- רוסא, י׳ן י׳ק, --- רוסו, זאאן זאאק, --- רוסו, ז׳אן־ז׳אק, --- روسو، چان چاك --- روسو، ژان ژاك --- 卢梭, --- Rousseau, Juan Jacobo, --- Rousseau, G. G. --- Ruso, Jan Jak, --- Rūsaw, Zhān Zhāk, --- Rūsū, Zhān Zhāk, --- Rousseau, Jean-Jacques
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Ce volume explore l'influence de l'Antiquité sur Diderot, alliant lettres et artefacts pour révéler sa vision unique et son apport à l'archéologie naissante, et trace le portrait d'un penseur en avance sur son temps, éclairant l'interconnexion entre ses réflexions et le patrimoine classique.
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