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Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragédie en musique' of the seventeenth and eighteenth centuries.

Music --- opera's --- Theatrical science --- muziekgeschiedenis --- Thematology --- anno 1700-1799 --- anno 1600-1699 --- Academic collection --- Mythology, Classical, in opera. --- Opera --- 792.5 --- Theatervormen: voorstellingen met tekst en muziek --- 792.5 Theatervormen: voorstellingen met tekst en muziek --- Mythology, Classical, in opera --- Gluck-Piccinni controversy --- Querelle des Bouffons --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- 17e eeuw --- Opera's --- Muziekgeschiedenis --- Theaterwetenschappen --- 18e eeuw --- Literary themes, motives

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Throughout the Ancien Regime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigenie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragedie en musique' of the seventeenth and eighteenth centuries.

Mythology, Classical, in opera. --- Opera --- Gluck-Piccinni controversy --- Querelle des Bouffons --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- Mythology, Classical, in opera

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Generaties lieten zich bedotten door hun illusies van verf, linnen en hout. Theaterdirecteurs betaalden fortuinen voor hun meesterschap. Kunstpausen grepen naar superlatieven om hen te prijzen. En toch belandden zij in de prullenmand van de geschiedenis: de decorschilders. Bruno Forment verrichtte meer dan tien jaar lang speurwerk in de krochten van de Belgisch-Nederlandse theatergeschiedenis. Aan de hand van oogstrelende beelden, herontdekt erfgoed en verrassende verhalen licht hij in Droomlanders het doek over een spectaculair ambacht en zijn meesters vroeger en nu. Wie waren deze kunstenaars, hoe gingen zij te werk en waarvan droomden zij? En waarom vielen ze plots uit de gratie?

Stage design. Scenography --- flats [theater elements] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- Netherlands --- Belgium --- Theaterwetenschappen --- Decors --- Decorontwerpers --- Boekgeschiedenis (kennisdomein) --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein)

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elektronische muziek --- vioolmuziek --- anno 2000-2009 --- Flanders