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Excavations (Archaeology) --- -Slavs --- -Archaeology, Medieval --- -Antiquities, Medieval --- Medieval antiquities --- Medieval archaeology --- Slavic race --- Ethnology --- Indo-Europeans --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology --- Croatia --- Antiquities, Slavic. --- History --- Slavs --- -Croatia --- -Excavations (Archaeology) --- Archaeology, Medieval --- Antiquities, Medieval --- Narodna Republika Hrvatska --- Socijalistička Republika Hrvatska --- SRH --- Hrvatska --- S.R.H. --- Kroatien --- SR Hrvatska --- SR Croatia --- People's Republic of Croatia --- Croazia --- Socialist Republic of Croatia --- NR Hrvatska --- Khorvatii︠a︡ --- קרואטיה --- Ḳroʼeṭyah --- Horvátország --- Repubblica di Croazia --- クロアチア --- Kuroachia --- クロアチア独立国 --- Kuroachia Dokuritsukoku --- Croatia (Republic : 1941-1945)

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This book accompanies the exhibition 'In-finitum' at the Palazzo Fortuny in Venice from 6 June until 15 November, 2009. With 'In-finitum', the trilogy which started with 'Artempo: Where Time Becomes Art' (Venice, 2007) and continued with 'Academia: Qui es-tu?' (Paris, 2008) has come full circle. The trilogy as conceived by Axel Vervoordt establishes a perfect balance through the natural time-flow between its three chapters. 'Artempo: Where Time Becomes Art' dealt with the beauty of passing time touching the world, with the mysteriousness of patina and the magical osmosis which exists where cosmos and 'matière' interact. In 'Academia: Qui es-tu?', the transmission of knowledge and wisdom held center stage, a fixed focal point gently rocked however by the continuous perpetuum mobile of questions and answers. The finale, 'In-finitum', will traverse into the other realm as it reaches into the universe of the unfinished and the infinite.

Art --- 7.039 --- 7.074 --- België --- eenentwintigste eeuw --- iconografie --- kunst --- kunstcollecties --- kunstverzamelingen --- oneindigheid --- 700.5 --- Vervoordt, Axel --- tijdsbeleving --- verzamelingen --- beeldende kunst, kunstverzamelen - kunsthandel - kunstvervalsing --- Exhibitions --- Infinite in art --- Space and time in art --- Unfinished works of art --- Art, Incomplete --- Art, Unfinished --- Arts, Incomplete --- Arts, Unfinished --- Incomplete works of art --- Arts --- art [fine art] --- Fontana, Lucio --- Rothko, Mark --- Bruyckere, De, Berlinde --- Stroobant, Dominique --- François, Michel --- Klein, Yves --- Manzoni, Piero --- Noguchi, Isamu --- Wouters, Rik --- Mack, Heinz --- Beeck, Op de, Hans --- Judd, Donald --- Turrell, James --- Kapoor, Anish --- Thater, Diana --- Nevelson, Louise --- Giacometti, Alberto --- Calder, Alexander --- art [discipline]

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Fondé en 1966 par Adolfo Natalini et Cristiano Toraldo di Francia, le collectif d’architecture italien d’avant-garde Superstudio s’est rapidement hissé au premier plan du mouvement architectural radical des années 1960 aux côtés de groupes comme Archigram et Haus-Rucker-Co. Grâce à ses projets architecturaux, ses objets de design, ses photocollages, ses dessins, ses textes, ses installations, ses maquettes, ses films et ses expositions, Superstudio a trouvé des moyens brillants et très inventifs pour habiter un monde transformé par les forces capitalistes et les évolutions technologiques. L’architecture de Superstudio a évolué pour englober les choses, le corps, la Terre, avant de dissoudre toute matérialité, ne conservant qu’une dimension symbolique et se mêlant à la vie elle-même. Ces volumes explorent leur œuvre au travers de la notion de « migration ». Cette dernière sert de clé conceptuelle et poétique pour plonger dans l’architecture du groupe, que ses membres comprenaient comme une activité de production, élaboration et transmission permanente d’idées.

Superstudio (Group) --- Exhibitions. --- Fujii, Hiromi --- Tschumi, Bernard, --- Superstudio --- Tschumi, Bernard, 1944 --- -Superstudio (Group) --- -Fujii, Hiromi --- Tschumi, Bernard, 1944-