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Sculpture --- sculpture [visual works] --- found objects --- Contemporary [style of art] --- Man Ray --- ready-mades [found objects] --- assemblages [archaeological artifacts] --- reproduction [copying] --- Dada --- Surrealist

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Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children. Published to accompany an exhibition at the National Gallery of Scotland, June-October 2019.

Art --- History --- scrapbooks --- collages [visual works] --- paperwork [visual works] --- montage [image-making technique] --- patchwork --- pictures [object genre] --- scrapbooking --- Collage --- 7.02 --- Beeldende kunst ; technieken ; collage ; decoupage --- Collages ; geschiedenis --- Fotocollages --- Collages --- Found objects (Art) --- Handicraft --- Montage --- Kunst ; technieken --- Exhibitions --- 705.9 --- collages --- fotocollages --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- collage --- collage. --- Kunst

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Despite occupying a significant portion of Nevelson's creative output, her collages still today remain largely unexplored, with only a few publications and essays dedicated to their particular study and analysis in some remove from the sculptures. The fact that this body of work was exhibited only on rare occasions during her lifetime, and always alongside sculpture, is undoubtedly a delaying factor in the emergence of a more established scholarship on the subject. All the same, Nevelson was often quoted commenting that 'the way I think is collage,' and already by 1960, Jean Arp declared in one of his poems that 'Louise Nevelson has a grandfather, probably without knowing it: Kurt Schwitters,' thereby positioning her work within the lineage of avant-garde collage in modern art.

Women artists --- Sculptors --- 7.071 --- kunst --- kunstenaars --- twintigste eeuw --- beeldhouwkunst --- collages --- assemblages --- 73.071 --- Nevelson Louise --- Bronze sculptors --- Artists --- Artists, Women --- Women as artists --- Louise Nevelson, --- Nevelson, Louise, --- Berliawsky, Louise, --- Criticism and interpretation. --- collages [visual works] --- Nevelson, Louise --- Art --- mixed media works